Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens The Wedding of Peleus and Thetis oil


The Wedding of Peleus and Thetis
Painting ID::  91324
The Wedding of Peleus and Thetis
1636(1636) Medium oil on canvas Dimensions 10.5/8 x 16.6/8 in cyf
   
   
     

Peter Paul Rubens Equestrian portrait of king Sigismund III Vasa oil


Equestrian portrait of king Sigismund III Vasa
Painting ID::  91411
Equestrian portrait of king Sigismund III Vasa
c. 1624(1624) Medium oil on canvas Dimensions 184 x 266 cm (72.4 x 104.7 in) cjr
   
   
     

Peter Paul Rubens Anbetung der Hirten oil


Anbetung der Hirten
Painting ID::  91424
Anbetung der Hirten
1618 - oil on wood - 29 x 23 cm Date c. 1618 cyf
1618_-_oil_on_wood_-_29_x_23_cm_ Date_c._1618 _ cyf
   
   
     

Peter Paul Rubens Triumph of the Duke of Buckingham oil


Triumph of the Duke of Buckingham
Painting ID::  91426
Triumph of the Duke of Buckingham
1857(1857) Medium oil on canvas Dimensions 84.7 x 103.8 cm (33.3 x 40.9 in) cjr
   
   
     

Peter Paul Rubens Jagd der Atalante oil


Jagd der Atalante
Painting ID::  91437
Jagd der Atalante
c. 1620 Medium oil on canvas cjr
c._1620_ Medium_oil_on_canvas _ cjr
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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