Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Multiple Sketch for the Banqueting House Ceiling oil


Multiple Sketch for the Banqueting House Ceiling
Painting ID::  92068
Multiple Sketch for the Banqueting House Ceiling
1629(1629) Medium oil on panel cyf
1629(1629) _ Medium_oil_on_panel _ cyf
   
   
     

Peter Paul Rubens The Judgement of Paris oil


The Judgement of Paris
Painting ID::  92077
The Judgement of Paris
oil on oak Dimensions Height: 144.8 cm (57 in). Width: 193.7 cm (76.3 in). cyf
   
   
     

Peter Paul Rubens Portret van Alfons, koning van Aragon en Napels oil


Portret van Alfons, koning van Aragon en Napels
Painting ID::  92088
Portret van Alfons, koning van Aragon en Napels
from 1612(1612) until 1616(1616) Medium oil on panel Dimensions 66 X 51.2 cm (26 X 20.2 in) cjr
   
   
     

Peter Paul Rubens Begegnung Abrahams mit Melchisedek oil


Begegnung Abrahams mit Melchisedek
Painting ID::  92169
Begegnung Abrahams mit Melchisedek
c. 1625 Medium oil on panel Dimensions Deutsch: 66 X 82,5 cm cjr
   
   
     

Peter Paul Rubens Ignatius von Loyola oil


Ignatius von Loyola
Painting ID::  92174
Ignatius von Loyola
1616-1617 Medium oil on panel Dimensions 105.5 X 74 cm (41.5 X 29.1 in) cyf
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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