Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Charles Quint oil


Charles Quint
Painting ID::  97095
Charles Quint
circa 1603(1603) Medium oil on canvas Dimensions 75 X 55.5 cm cyf
   
   
     

Peter Paul Rubens Orpheus and Eurydice oil


Orpheus and Eurydice
Painting ID::  97117
Orpheus and Eurydice
1636-1638 Medium oil on canvas Dimensions 194 X 245 cm cyf
   
   
     

Peter Paul Rubens Ceres and Two Nymphs with a Cornucopia oil


Ceres and Two Nymphs with a Cornucopia
Painting ID::  97217
Ceres and Two Nymphs with a Cornucopia
1608(1608) Medium oil on canvas Dimensions 22 X 17 in cyf
   
   
     

Peter Paul Rubens Portrait of prince Wladyslaw Vasa in Flemish costume oil


Portrait of prince Wladyslaw Vasa in Flemish costume
Painting ID::  97243
Portrait of prince Wladyslaw Vasa in Flemish costume
circa 1624(1624) Medium oil on canvas Dimensions 116.2 X 85.8 cm cyf
   
   
     

Peter Paul Rubens Infant Christ and St John the Babtist in a landscape oil


Infant Christ and St John the Babtist in a landscape
Painting ID::  97584
Infant Christ and St John the Babtist in a landscape
after 1615(1615) Medium oil on canvas cyf
after_1615(1615)_ Medium_oil_on_canvas_ cyf
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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