Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens The Queen's Reconciliation with Her Son (mk05) oil


The Queen's Reconciliation with Her Son (mk05)
Painting ID::  20424
The Queen's Reconciliation with Her Son (mk05)
Canvas,155 x 116 1/4''(394 x 295 cm)INV 1788
Canvas,155_x_116_1/4''(394_x_295_cm)INV_1788
   
   
     

Peter Paul Rubens The Triumph of Truth (mk05) oil


The Triumph of Truth (mk05)
Painting ID::  20425
The Triumph of Truth (mk05)
Time raises Truth to take her place at the meeting between mother and son Canvas,155 x 63''(394 x 160 cm)INV .1789
   
   
     

Peter Paul Rubens The Raising of the Cross (mk05) oil


The Raising of the Cross (mk05)
Painting ID::  20485
The Raising of the Cross (mk05)
Wood,12 1/2 x 14 1/2''(32 x 37 cm)Sketch for part of the ceiling of the Jesuit church in Antwerp;painted in 1620 -1621 and burned down in 1718;bequeathed in 1869
   
   
     

Peter Paul Rubens The Village Wedding (mk05) oil


The Village Wedding (mk05)
Painting ID::  20486
The Village Wedding (mk05)
Wood,581/2 x 103''(149 x 261 cm).Collection of Louis XIV;acquired in 1685 INV
   
   
     

Peter Paul Rubens Tournament Near the Moat of the Chateau du Steen (mk05) oil


Tournament Near the Moat of the Chateau du Steen (mk05)
Painting ID::  20487
Tournament Near the Moat of the Chateau du Steen (mk05)
Wood,28 1/4 x 41 1/2''(72 x 106 cm)Collection of Louis XV;acquired in 1742
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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