Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Immaculate Conception oil


Immaculate Conception
Painting ID::  32913
Immaculate Conception
mk84 ca.1628 Madrid, Prado,canvas 198x137cm
mk84 ca.1628 Madrid, Prado,canvas 198x137cm
   
   
     

Peter Paul Rubens Triumph of Curch over Fury,Discord,and Hate oil


Triumph of Curch over Fury,Discord,and Hate
Painting ID::  32920
Triumph of Curch over Fury,Discord,and Hate
mk84 1628 Madrid,Prado.panel 86x91cm
mk84 1628 Madrid,Prado.panel 86x91cm
   
   
     

Peter Paul Rubens Portrait of Susanne Florment oil


Portrait of Susanne Florment
Painting ID::  33648
Portrait of Susanne Florment
mk86 c.1625 Oil on panel 79x54.5cm London,National Gallery
   
   
     

Peter Paul Rubens Venus at a Mirror oil


Venus at a Mirror
Painting ID::  33650
Venus at a Mirror
mk86 c.1615 Oil on panel 124x98cm Vaduz,Sammlung Furst Von Liechtenstein
   
   
     

Peter Paul Rubens The Four Philosophers oil


The Four Philosophers
Painting ID::  33664
The Four Philosophers
mk86 c.1611 Oil on panel 164x139cm Florence,Palazzo Pitti,Galleria Palatina
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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