Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Saint Bavo About to Receive the Monastic Habit at Ghent oil


Saint Bavo About to Receive the Monastic Habit at Ghent
Painting ID::  43115
Saint Bavo About to Receive the Monastic Habit at Ghent
mk170 1610-1612 Oil on oak 106.7x82.1cm
mk170 1610-1612 Oil_on_oak 106.7x82.1cm
   
   
     

Peter Paul Rubens Portrait of Susana Lunden oil


Portrait of Susana Lunden
Painting ID::  43116
Portrait of Susana Lunden
mk170 1622-1625 Oil on oak 79x54.6cm
mk170 1622-1625 Oil_on_oak 79x54.6cm
   
   
     

Peter Paul Rubens An Autumn Landscape with a View of Het Steen in the Earyl Morning oil


An Autumn Landscape with a View of Het Steen in the Earyl Morning
Painting ID::  43117
An Autumn Landscape with a View of Het Steen in the Earyl Morning
mk170 circa 1636 Oil on oak 131.2x229.2cm
mk170 circa_1636 Oil_on_oak 131.2x229.2cm
   
   
     

Peter Paul Rubens Samson and Delilah oil


Samson and Delilah
Painting ID::  43118
Samson and Delilah
mk170 circa 1609 Oil on wood 185x205cm
mk170 circa_1609 Oil_on_wood 185x205cm
   
   
     

Peter Paul Rubens Minerva Protects Pax from Mars oil


Minerva Protects Pax from Mars
Painting ID::  43119
Minerva Protects Pax from Mars
mk170 1629-1630 Oil on canvas 203.5x298cm
mk170 1629-1630 Oil_on_canvas 203.5x298cm
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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