Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Venus Frigida oil


Venus Frigida
Painting ID::  51071
Venus Frigida
1614 Oil on wood, 142 x 184 cm
1614 _Oil_on_wood,_ 142_x_184_cm
   
   
     

Peter Paul Rubens Portrait of Jan Gaspar Gevartius oil


Portrait of Jan Gaspar Gevartius
Painting ID::  51081
Portrait of Jan Gaspar Gevartius
c. 1628 Panel, 119 x 98 cm
c._1628_ Panel,_ 119_x_98_cm
   
   
     

Peter Paul Rubens Our Lady with the Saints oil


Our Lady with the Saints
Painting ID::  51110
Our Lady with the Saints
1634 Oil on canvas
1634_ Oil_on_canvas
   
   
     

Peter Paul Rubens St Francis of Assisi Receiving the Stigmata oil


St Francis of Assisi Receiving the Stigmata
Painting ID::  51111
St Francis of Assisi Receiving the Stigmata
c. 1635 Oil on canvas, 264 x 192 cm
c._1635_ Oil_on_canvas,_ 264_x_192_cm
   
   
     

Peter Paul Rubens Four Studies of the Head of a Negro oil


Four Studies of the Head of a Negro
Painting ID::  51156
Four Studies of the Head of a Negro
Oil on canvas transferred from wood, 51 x 66 cm
Oil_on_canvas_ transferred_from_wood,_ 51_x_66_cm
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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