Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens Forest landscape oil


Forest landscape
Painting ID::  53053
Forest landscape
mk225 1635-1638 38.3x49.9cm
mk225 1635-1638 38.3x49.9cm
   
   
     

Peter Paul Rubens Self-Portrait oil


Self-Portrait
Painting ID::  53054
Self-Portrait
mk225 1635-1640 20x16cm
mk225 1635-1640 20x16cm
   
   
     

Peter Paul Rubens Korsnedtagningen oil


Korsnedtagningen
Painting ID::  53793
Korsnedtagningen
mk234 1612-14 420x310cm
mk234_ 1612-14_ 420x310cm
   
   
     

Peter Paul Rubens Deborah Kip Sir Balthasar Gerbiers wife, and her children oil


Deborah Kip Sir Balthasar Gerbiers wife, and her children
Painting ID::  53794
Deborah Kip Sir Balthasar Gerbiers wife, and her children
mk234 probably 1629/40 165x178cm
mk234_ probably_ 1629/40_ 165x178cm
   
   
     

Peter Paul Rubens Henr IV himmelsfard and regeringsproklamationen oil


Henr IV himmelsfard and regeringsproklamationen
Painting ID::  53795
Henr IV himmelsfard and regeringsproklamationen
mk234 approximately 162/25 391x727cm
mk234_ approximately_162/25_ 391x727cm
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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