Peter Paul Rubens

Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.


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Peter Paul Rubens The Martyrdom of Saint Ursula and the Eleven Thousand Maidens oil


The Martyrdom of Saint Ursula and the Eleven Thousand Maidens
Painting ID::  69674
The Martyrdom of Saint Ursula and the Eleven Thousand Maidens
oil on panel painting by Peter Paul Rubens
oil_on_panel_painting_by_Peter_Paul_Rubens
   
   
     

Peter Paul Rubens Romulus and Remus oil


Romulus and Remus
Painting ID::  70222
Romulus and Remus
Medium Oil on canvas Dimensions 210 X 212 cm
Medium_Oil_on_canvas _ Dimensions_210_X_212_cm
   
   
     

Peter Paul Rubens Perseus and Andromeda oil


Perseus and Andromeda
Painting ID::  70494
Perseus and Andromeda
Medium Oil on canvas Dimensions Expression error: Missing operand for *99.5 ?? 139 cm
   
   
     

Peter Paul Rubens Ildefonso altar oil


Ildefonso altar
Painting ID::  70572
Ildefonso altar
um 1630/1632 Mittelteil: 352 x 236 cm
um_1630/1632 Mittelteil:_352_x_236_cm
   
   
     

Peter Paul Rubens Reuige Magdalena und ihre Schwester Martha oil


Reuige Magdalena und ihre Schwester Martha
Painting ID::  70573
Reuige Magdalena und ihre Schwester Martha
um 1620 Oil on canvas 205 x 157 cm Rahmenmaße: 239,5 x 192 x 11,2 cm
   
   
     

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     Peter Paul Rubens
     Flemish Baroque Era Painter, 1577-1640 Peter Paul Rubens (June 28, 1577 ?C May 30, 1640) was a prolific seventeenth-century Flemish Baroque painter, and a proponent of an exuberant Baroque style that emphasized movement, color, and sensuality. He is well-known for his Counter-Reformation altarpieces, portraits, landscapes, and history paintings of mythological and allegorical subjects. In addition to running a large studio in Antwerp which produced paintings popular with nobility and art collectors throughout Europe, Rubens was a classically-educated humanist scholar, art collector, and diplomat who was knighted by both Philip IV, king of Spain, and Charles I, king of England. Rubens was a prolific artist. His commissioned works were mostly religious subjects, "history" paintings, which included mythological subjects, and hunt scenes. He painted portraits, especially of friends, and self-portraits, and in later life painted several landscapes. Rubens designed tapestries and prints, as well as his own house. He also oversaw the ephemeral decorations of the Joyous Entry into Antwerp by the Cardinal-Infante Ferdinand in 1635. His drawings are mostly extremely forceful but not detailed; he also made great use of oil sketches as preparatory studies. He was one of the last major artists to make consistent use of wooden panels as a support medium, even for very large works, but he used canvas as well, especially when the work needed to be sent a long distance. For altarpieces he sometimes painted on slate to reduce reflection problems. His fondness of painting full-figured women gave rise to the terms 'Rubensian' or 'Rubenesque' for plus-sized women. The term 'Rubensiaans' is also commonly used in Dutch to denote such women.

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