Pierre-Auguste Renoir

French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.
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Pierre-Auguste Renoir Femme cueillant des Fleurs oil on canvas painting by Pierre-Auguste Renoir oil


Femme cueillant des Fleurs oil on canvas painting by Pierre-Auguste Renoir
Painting ID::  75830 		Femme cueillant des Fleurs oil on canvas painting by Pierre-Auguste Renoir
Femme cueillant des Fleurs oil on canvas painting by Pierre-Auguste Renoir, c. 1874 cjr
   
   
     
Pierre-Auguste Renoir Lady Smiling oil


Lady Smiling
Painting ID::  75890 		Lady Smiling
1875(1875) Oil on canvas 42 ?? 33 cm (16.5 ?? 13 in) cjr
   
   
     
Pierre-Auguste Renoir Portrait of Jean-Frederic Bazille oil


Portrait of Jean-Frederic Bazille
Painting ID::  76638 		Portrait of Jean-Frederic Bazille
1867(1867) Oil on canvas 105 ?? 70 cm (41.3 ?? 27.6 in) cjr
   
   
     
Pierre-Auguste Renoir Christine Lerolle oil


Christine Lerolle
Painting ID::  78020 		Christine Lerolle
1897(1897) Oil on canvas 57.5 x 53.5 cm (22.6 x 21.1 in) cjr
   
   
     
Pierre-Auguste Renoir Photo of painting Garden Scene in Britanny. oil


Photo of painting Garden Scene in Britanny.
Painting ID::  78487 		Photo of painting Garden Scene in Britanny.
Oil on canvas. Location: Barnes Foundation, Lincoln University, Merion, PA, USA cjr
   
   
     
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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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