Pierre-Auguste Renoir

French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.
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Pierre-Auguste Renoir Portrait de Rapha Maitre II oil


Portrait de Rapha Maitre II
Painting ID::  84248 		Portrait de Rapha Maitre II
Date 1871(1871) Medium Oil on canvas Dimensions 130 x 83 cm (51.2 x 32.7 in) cjr
   
   
     
Pierre-Auguste Renoir Jules le Caur et ses chiens dans la foret de Fontainebleau oil


Jules le Caur et ses chiens dans la foret de Fontainebleau
Painting ID::  84393 		Jules le Caur et ses chiens dans la foret de Fontainebleau
Date 1886(1886) Medium Oil on canvas cjr
Date_1886(1886) _ Medium_Oil_on_canvas _ cjr
   
   
     
Pierre-Auguste Renoir Young people in the street oil


Young people in the street
Painting ID::  84934 		Young people in the street
Medium Oil on canvas Dimensions 63,5 x 49 cm cjr
Medium_Oil_on_canvas _ Dimensions_63,5_x_49_cm _ cjr
   
   
     
Pierre-Auguste Renoir Fleurs dans un pot en faience oil


Fleurs dans un pot en faience
Painting ID::  85518 		Fleurs dans un pot en faience
Date c. 1869(1869) Medium English: Oil on paperboard mounted on canvas Dimensions 64.8 x 54.3 cm (25.5 x 21.4 in) cjr
   
   
     
Pierre-Auguste Renoir Les pecheuses de moulesa Berneval oil


Les pecheuses de moulesa Berneval
Painting ID::  85680 		Les pecheuses de moulesa Berneval
1879(1879) Medium Oil on canvas Dimensions 175.3 x 130.2 cm (69 x 51.3 in) cyf
   
   
     
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     Pierre-Auguste Renoir
     French Impressionist Painter, 1841-1919 French painter, printmaker and sculptor. He was one of the founders and leading exponents of IMPRESSIONISM from the late 1860s, producing some of the movement's most famous images of carefree leisure. He broke with his Impressionist colleagues to exhibit at the Salon from 1878, and from c. 1884 he adopted a more linear style indebted to the Old Masters. His critical reputation has suffered from the many minor works he produced during his later years.

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