Pontormo, Jacopo

b Pontormo, nr Empoli, 26 May 1494; d Florence, 31 Dec 1556). Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter. His highly personal style was much influenced by Michelangelo


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Pontormo, Jacopo The Visitacion oil


The Visitacion
Painting ID::  41953
The Visitacion
mk166 in the middle of the century XVI Painting Church of San Miguel Carmignano
   
   
     

Pontormo, Jacopo Kicking Player oil


Kicking Player
Painting ID::  43585
Kicking Player
Drawing Galleria degli Uffizi
Drawing_Galleria_degli_Uffizi
   
   
     

Pontormo, Jacopo Two Nudes Compared oil


Two Nudes Compared
Painting ID::  43586
Two Nudes Compared
Two Nudes Compared
Two_Nudes_Compared
   
   
     

Pontormo, Jacopo Hermaphrodite Figure oil


Hermaphrodite Figure
Painting ID::  43589
Hermaphrodite Figure
1538-43
1538-43
   
   
     

Pontormo, Jacopo Group of the Dead oil


Group of the Dead
Painting ID::  43591
Group of the Dead
1546-56
1546-56
   
   
     

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     Pontormo, Jacopo
     b Pontormo, nr Empoli, 26 May 1494; d Florence, 31 Dec 1556). Italian painter and draughtsman. He was the leading painter in mid-16th-century Florence and one of the most original and extraordinary of Mannerist artists. His eccentric personality, solitary and slow working habits and capricious attitude towards his patrons are described by Vasari; his own diary, which covers the years 1554-6, further reveals a character with neurotic and secretive aspects. Pontormo enjoyed the protection of the Medici family throughout his career but, unlike Agnolo Bronzino and Giorgio Vasari, did not become court painter. His subjective portrait style did not lend itself to the state portrait. He produced few mythological works and after 1540 devoted himself almost exclusively to religious subjects. His drawings, mainly figure studies in red and black chalk, are among the highest expressions of the great Florentine tradition of draughtsmanship; close to 400 survive, forming arguably the most important body of drawings by a Mannerist painter. His highly personal style was much influenced by Michelangelo

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