SASSOFERRATO

Italian Baroque Era Painter, 1609-1685 Italian painter and draughtsman. He served his apprenticeship under his father, Tarquinio Salvi. Tradition has it that he later (it is not known exactly when) studied with Domenichino in Naples, where he certainly had the opportunity of meeting Francesco Cozza and where he painted the Adoration of the Shepherds (Naples, Capodimonte). As a young man, Sassoferrato probably travelled often in the areas bordering on the Marches, for example in Umbria and particularly Perugia, where from 1630 he was connected with the Benedictine convent of S Pietro, for which he painted canvases of ten saints for the ceiling of the sacristy of the convent church
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SASSOFERRATO The Mystic Marriage of St. Catherine f oil


The Mystic Marriage of St. Catherine f
Painting ID::  9067 		The Mystic Marriage of St. Catherine f
1650 Oil on canvas Wallace Collection, London
1650 Oil_on_canvas Wallace_Collection,_London
   
   
     
SASSOFERRATO Portrait of Monsignor Ottaviano Prati ar oil


Portrait of Monsignor Ottaviano Prati ar
Painting ID::  9068 		Portrait of Monsignor Ottaviano Prati ar
c. 1650 Oil on canvas, 119 x 92 cm Galleria Nazionale d'Arte Antica, Rome
   
   
     
SASSOFERRATO The Virgin in Prayer a oil


The Virgin in Prayer a
Painting ID::  9069 		The Virgin in Prayer a
1640-50 Oil on canvas, 73 x 58 cm National Gallery, London
   
   
     
SASSOFERRATO Madonna in Prayer sr oil


Madonna in Prayer sr
Painting ID::  9070 		Madonna in Prayer sr
1640s Oil on canvas Accademia Carrara, Bergamo
1640s Oil_on_canvas Accademia_Carrara,_Bergamo
   
   
     
SASSOFERRATO Self-Portrait oil


Self-Portrait
Painting ID::  26801 		Self-Portrait
mk52 c.1650 oil on canva 38x32.5cm Uffizi,Florence
mk52 c.1650 oil_on_canva 38x32.5cm Uffizi,Florence
   
   
     
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     SASSOFERRATO
     Italian Baroque Era Painter, 1609-1685 Italian painter and draughtsman. He served his apprenticeship under his father, Tarquinio Salvi. Tradition has it that he later (it is not known exactly when) studied with Domenichino in Naples, where he certainly had the opportunity of meeting Francesco Cozza and where he painted the Adoration of the Shepherds (Naples, Capodimonte). As a young man, Sassoferrato probably travelled often in the areas bordering on the Marches, for example in Umbria and particularly Perugia, where from 1630 he was connected with the Benedictine convent of S Pietro, for which he painted canvases of ten saints for the ceiling of the sacristy of the convent church

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