SCHAUFELEIN, Hans Leonhard

German Northern Renaissance Painter, ca.1480-1540 was a German painter, designer, and wood engraver. He was born in Nuremberg, probably studied under Wohlgemut, and then became the assistant of D??rer, whom he imitated. In 1512 he went to Augsburg and in 1515 removed to Nordlingen. He is a graceful narrator, and his types, though rarely accurately drawn, are attractive, but he lacks power and depth. Characteristic early paintings are the altarpiece at Ober Sankt Veit[1], near Vienna (1502), "Scenes from the Life of Christ" (Dresden Gallery), and "St. Jerome" (Germanic Museum, Nuremberg). To his Nordlingen period belong his masterpiece, the so-called "Ziegler Altar" for St. George's Church (1521), part of which is still in the church, part in the museum; "Scenes from the Story of Judith," in the town hall; and the illuminated Psalter for Count von Ottingen, now in the Berlin print room. His most important woodcuts are those for the Theuerdank of Emperor Maximilian.
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SCHAUFELEIN, Hans Leonhard The Agony in the Garden fh oil


The Agony in the Garden fh
Painting ID::  9089 		The Agony in the Garden fh
1516 Lime panel Alte Pinakothek, Munich
1516 Lime_panel Alte_Pinakothek,_Munich
   
   
     
SCHAUFELEIN, Hans Leonhard The Birth of Christ sft oil


The Birth of Christ sft
Painting ID::  9090 		The Birth of Christ sft
1505-06 Wood, 27 x 15 cm Christian Museum, Esztergom
1505-06 Wood,_27_x_15_cm Christian_Museum,_Esztergom
   
   
     
SCHAUFELEIN, Hans Leonhard Portrait of a Man WRY oil


Portrait of a Man WRY
Painting ID::  9091 		Portrait of a Man WRY
1505 Oil on wood Galleria Borghese, Rome
1505 Oil_on_wood Galleria_Borghese,_Rome
   
   
     
SCHAUFELEIN, Hans Leonhard The Circumcision of Christ oil


The Circumcision of Christ
Painting ID::  32619 		The Circumcision of Christ
1505-06 Wood, 26 x 15 cm
1505-06 Wood,_26_x_15_cm
   
   
     
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     SCHAUFELEIN, Hans Leonhard
     German Northern Renaissance Painter, ca.1480-1540 was a German painter, designer, and wood engraver. He was born in Nuremberg, probably studied under Wohlgemut, and then became the assistant of D??rer, whom he imitated. In 1512 he went to Augsburg and in 1515 removed to Nordlingen. He is a graceful narrator, and his types, though rarely accurately drawn, are attractive, but he lacks power and depth. Characteristic early paintings are the altarpiece at Ober Sankt Veit[1], near Vienna (1502), "Scenes from the Life of Christ" (Dresden Gallery), and "St. Jerome" (Germanic Museum, Nuremberg). To his Nordlingen period belong his masterpiece, the so-called "Ziegler Altar" for St. George's Church (1521), part of which is still in the church, part in the museum; "Scenes from the Story of Judith," in the town hall; and the illuminated Psalter for Count von Ottingen, now in the Berlin print room. His most important woodcuts are those for the Theuerdank of Emperor Maximilian.

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