Samuel Palmer

1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.


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Samuel Palmer The Watermill oil


The Watermill
Painting ID::  26418
The Watermill
mk49 c.1848 Water and body colour,mixed in parts with gum arabic. 51.3x71.2cm
   
   
     

Samuel Palmer Study for The Watermill oil


Study for The Watermill
Painting ID::  26419
Study for The Watermill
mk49 1848 Watercolour 2.7x17.8cm
mk49 1848 Watercolour 2.7x17.8cm
   
   
     

Samuel Palmer View of Ilfracombe,Devon oil


View of Ilfracombe,Devon
Painting ID::  26420
View of Ilfracombe,Devon
mk49 c.1848-9 Watercolour,gouache,black chalk and graphite on Bristol board 27x38cm
   
   
     

Samuel Palmer Christian Descending into the Valley of Humiliation oil


Christian Descending into the Valley of Humiliation
Painting ID::  26421
Christian Descending into the Valley of Humiliation
mk49 1848 Watercolour,gouache,black ink,black chalk and gold over faint squaring
   
   
     

Samuel Palmer View at Tintagel oil


View at Tintagel
Painting ID::  26422
View at Tintagel
mk49 1848 Black chalk,watercolour and gouache on off-white wove paper 26.2x37cm
   
   
     

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     Samuel Palmer
     1805-1881 British Samuel Palmer Galleries English painter, draughtsman and etcher. Palmer was a key figure of English Romantic painting who represented, at least in his early work, its pastoral, intuitive and nostalgic aspects at their most intense. He is widely described as a visionary and linked with his friend and mentor William Blake, though he stood at an almost opposite extreme in his commitment to landscape and his innocent approach to its imagery. He had none of Blake irony or complexity and was inspired by a passionate love of nature that found its philosophical dimension in unquestioning Neo-Platonism.

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