Simon Vouet

French Simon Vouet Gallery 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting.


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Simon  Vouet Saturn,Conquered by Amor venus and hope oil


Saturn,Conquered by Amor venus and hope
Painting ID::  55762
Saturn,Conquered by Amor venus and hope
mk244 187x142cm Oil on canvas Bourges
mk244 187x142cm Oil_on_canvas Bourges
   
   
     

Simon  Vouet Muses Urania and Calliope oil


Muses Urania and Calliope
Painting ID::  74109
Muses Urania and Calliope
English: Low resolution detail of the muse Urania from The Muses Urania and Calliope Date c. 1634 cyf
   
   
     

Simon  Vouet Vierge Hesselin oil


Vierge Hesselin
Painting ID::  75145
Vierge Hesselin
Vierge au rameau de chene, dite "Vierge Hesselin" Date Dimensions 97 X 77 cm (38.19 X 30.31 in) cyf
   
   
     

Simon  Vouet Diana oil


Diana
Painting ID::  76032
Diana
Date 1637 Medium Oil on canvas Dimensions 102 ?? 141 cm (40.2 ?? 55.5 in) cyf
   
   
     

Simon  Vouet The Rape of Europa oil


The Rape of Europa
Painting ID::  80550
The Rape of Europa
ca. 1640(1640) Medium Oil on canvas cyf
ca._1640(1640) _ Medium_Oil_on_canvas _ cyf
   
   
     

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     Simon Vouet
     French Simon Vouet Gallery 1590-1649 French painter and draughtsman. Although at the time regarded as one of the leading French painters of the first half of the 17th century, he is now known more for his influence on French painting than for his actual oeuvre. He made his reputation in Italy, where he executed numerous portraits for aristocratic patrons and was commissioned for religious subjects. Although the early Italian works show the influence of Caravaggio, his work was subsequently modified by the Baroque style of such painters as Lanfranco and the influence of the Venetian use of light and colour. When he was summoned back to France by Louis XIII in 1627 he thus brought with him an Italian idiom hitherto unknown in France that revitalized French painting.

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