Tintoretto

Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.


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Tintoretto Susanna and the Elders oil


Susanna and the Elders
Painting ID::  30247
Susanna and the Elders
nn05 c.1555 The third voyeur stood before the canvas
nn05 c.1555 The_third_voyeur_stood_before_the_canvas
   
   
     

Tintoretto Details of Susanna and the Elders oil


Details of Susanna and the Elders
Painting ID::  30248
Details of Susanna and the Elders
nn05 Cowardly assault on a woman's virtue
nn05 Cowardly_assault_on_a_woman's_virtue
   
   
     

Tintoretto Details of Susanna and the Elders oil


Details of Susanna and the Elders
Painting ID::  30249
Details of Susanna and the Elders
nn05 Beauty in the shade of trees
nn05 Beauty_in_the_shade_of_trees
   
   
     

Tintoretto Details of Susanna and the Elders oil


Details of Susanna and the Elders
Painting ID::  30250
Details of Susanna and the Elders
nn05 A centre of luxury and fashion
nn05 A_centre_of_luxury_and_fashion
   
   
     

Tintoretto Details of Susanna and the Elders oil


Details of Susanna and the Elders
Painting ID::  30251
Details of Susanna and the Elders
nn05 Art and nature harmony in a Garden
nn05 Art_and_nature harmony_in_a_Garden
   
   
     

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     Tintoretto
     Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.

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