Tintoretto

Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.


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Tintoretto Women Playing Music oil


Women Playing Music
Painting ID::  43615
Women Playing Music
Oil on canvas, 142 x 214 cm
Oil_on_canvas,_ 142_x_214_cm
   
   
     

Tintoretto Ariadne, Venus and Bacchus oil


Ariadne, Venus and Bacchus
Painting ID::  44394
Ariadne, Venus and Bacchus
1576 Oil on canvas, 146 x 157 cm
1576_ Oil_on_canvas,_ 146_x_157_cm
   
   
     

Tintoretto Esther before Ahasuerus oil


Esther before Ahasuerus
Painting ID::  44405
Esther before Ahasuerus
Oil on canvas, 207,4 x 273 cm
Oil_on_canvas,_ 207,4_x_273_cm
   
   
     

Tintoretto The Last Supper oil


The Last Supper
Painting ID::  44902
The Last Supper
mk176 1592-94 Oil on canvas 365.7x568.9cm
mk176 1592-94 Oil_on_canvas 365.7x568.9cm
   
   
     

Tintoretto The festival of the Belschazzar oil


The festival of the Belschazzar
Painting ID::  45411
The festival of the Belschazzar
MK186 around 1541/42 Verona Museo di Castelvecchio
MK186_ around_ 1541/42 _Verona_Museo_di_Castelvecchio
   
   
     

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     Tintoretto
     Italian Mannerist Painter, ca.1518-1594 His father was a silk dyer (tintore); hence the nickname Tintoretto ("Little Dyer"). His early influences include Michelangelo and Titian. In Christ and the Adulteress (c. 1545) figures are set in vast spaces in fanciful perspectives, in distinctly Mannerist style. In 1548 he became the centre of attention of artists and literary men in Venice with his St. Mark Freeing the Slave, so rich in structural elements of post-Michelangelo Roman art that it is surprising to learn that he had never visited Rome. By 1555 he was a famous and sought-after painter, with a style marked by quickness of execution, great vivacity of colour, a predilection for variegated perspective, and a dynamic conception of space. In his most important undertaking, the decoration of Venice's Scuola Grande di San Rocco (1564 C 88), he exhibited his passionate style and profound religious faith. His technique and vision were wholly personal and constantly evolving.

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