VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.
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VELAZQUEZ, Diego Rodriguez de Silva y Buffoon Barbarroja nhg oil


Buffoon Barbarroja nhg
Painting ID::  9470 		Buffoon Barbarroja nhg
c. 1636 Oil on canvas, 198 x 121 cm Museo del Prado, Madrid
   
   
     
VELAZQUEZ, Diego Rodriguez de Silva y The Dwarf Don Juan Calabazas, called Calabacillas et oil


The Dwarf Don Juan Calabazas, called Calabacillas et
Painting ID::  9471 		The Dwarf Don Juan Calabazas, called Calabacillas et
c. 1639 Oil on canvas, 106 x 83 cm Museo del Prado, Madrid
   
   
     
VELAZQUEZ, Diego Rodriguez de Silva y The Needlewoman drg oil


The Needlewoman drg
Painting ID::  9472 		The Needlewoman drg
c. 1640 Oil on canvas, 74 x 60 cm National Gallery of Art, Washington
   
   
     
VELAZQUEZ, Diego Rodriguez de Silva y Don Balthasar Carlos set oil


Don Balthasar Carlos set
Painting ID::  9473 		Don Balthasar Carlos set
c. 1640 Oil on canvas, 128,5 x 99 cm Kunsthistorisches Museum, Vienna
   
   
     
VELAZQUEZ, Diego Rodriguez de Silva y Aesop t oil


Aesop t
Painting ID::  9474 		Aesop t
1640 Oil on canvas, 179 x 94 cm Museo del Prado, Madrid
1640 Oil_on_canvas,_179_x_94_cm Museo_del_Prado,_Madrid
   
   
     
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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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