VELAZQUEZ, Diego Rodriguez de Silva y

Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.


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VELAZQUEZ, Diego Rodriguez de Silva y Duke oil


Duke
Painting ID::  54688
Duke
mk237 1625-1626 Oil on canvas 216x129cm
mk237 1625-1626 Oil_on_canvas 216x129cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Filipu oil


Filipu
Painting ID::  54689
Filipu
mk237 1627 Oil on canvas 200x103cm
mk237 1627 Oil_on_canvas 200x103cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Potrait of Young man oil


Potrait of Young man
Painting ID::  54690
Potrait of Young man
mk237 1625 Oil on canvas 32x24cm
mk237 1625 Oil_on_canvas 32x24cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Deer oil


Deer
Painting ID::  54691
Deer
mk237 1626-1627 Oil on canvas 58x44.5cm
mk237 1626-1627 Oil_on_canvas 58x44.5cm
   
   
     

VELAZQUEZ, Diego Rodriguez de Silva y Filipu oil


Filipu
Painting ID::  54692
Filipu
mk237 1626-1628 Oil on canvas
mk237 1626-1628 Oil_on_canvas
   
   
     

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     VELAZQUEZ, Diego Rodriguez de Silva y
     Spanish Baroque Era Painter, 1599-1660 Spanish painter. He was one of the most important European artists of the 17th century, spending his career from 1623 in the service of Philip IV of Spain. His early canvases comprised bodegones and religious paintings, but as a court artist he was largely occupied in executing portraits, while also producing some historical, mythological and further religious works. His painting was deeply affected by the work of Rubens and by Venetian artists, especially Titian, as well as by the experience of two trips (1629-31 and 1649-51) to Italy. Under these joint influences he developed a uniquely personal style characterized by very loose, expressive brushwork.

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