anna dorothea therbusch

1721-82 German painter of Polish descent. She was taught by her father, the portrait painter Georg Lisiewski (1674-1751), and received further training from Antoine Pesne in Paris. She worked for Charles-Eugene, Count of W?rttemberg, in Stuttgart from 1761 to 1762, and for Charles Theodore Wittelsbach, Elector Palatine of the Rhine, in Mannheim from 1763 to 1764. In 1765 she returned, via Stuttgart and Hohenzollern-Hechingen, to Paris, where in 1767 she became a member of the Academie Royale. She met Denis Diderot and Philipp Hackert, both of whom she painted, and Charles-Nicolas Cochin , but, despite consistent support from Prince Galitsyn, she was unable to establish herself in Paris. In 1769 she returned to Berlin where she received commissions for mythological paintings (e.g. Diana and her Nymphs, 1771; Potsdam, Neues Pal.) from Frederick II, King of Prussia. She painted portraits of members of the Prussian court, and the Berlin bourgeoisie, and in 1773 was commissioned by Catherine II, Empress of Russia, to paint a portrait of the Prussian royal family.


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anna dorothea therbusch Self-portrait with monocle oil


Self-portrait with monocle
Painting ID::  76785
Self-portrait with monocle
1777(1777) Oil on canvas 153.5 ?? 118 cm (60.4 ?? 46.5 in) cjr
   
   
     

anna dorothea therbusch Self-portrait with monocle oil


Self-portrait with monocle
Painting ID::  78259
Self-portrait with monocle
1777(1777) Medium Oil on canvas Dimensions 153.5 x 118 cm (60.4 x 46.5 in) cyf
   
   
     

anna dorothea therbusch Portrait of Wilhelmine Encke oil


Portrait of Wilhelmine Encke
Painting ID::  80198
Portrait of Wilhelmine Encke
1776(1776) Medium Oil on canvas Dimensions 143 x 103 cm (56.3 x 40.6 in) cyf
   
   
     

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     anna dorothea therbusch
     1721-82 German painter of Polish descent. She was taught by her father, the portrait painter Georg Lisiewski (1674-1751), and received further training from Antoine Pesne in Paris. She worked for Charles-Eugene, Count of W?rttemberg, in Stuttgart from 1761 to 1762, and for Charles Theodore Wittelsbach, Elector Palatine of the Rhine, in Mannheim from 1763 to 1764. In 1765 she returned, via Stuttgart and Hohenzollern-Hechingen, to Paris, where in 1767 she became a member of the Academie Royale. She met Denis Diderot and Philipp Hackert, both of whom she painted, and Charles-Nicolas Cochin , but, despite consistent support from Prince Galitsyn, she was unable to establish herself in Paris. In 1769 she returned to Berlin where she received commissions for mythological paintings (e.g. Diana and her Nymphs, 1771; Potsdam, Neues Pal.) from Frederick II, King of Prussia. She painted portraits of members of the Prussian court, and the Berlin bourgeoisie, and in 1773 was commissioned by Catherine II, Empress of Russia, to paint a portrait of the Prussian royal family.

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