John William Waterhouse

English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.


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John William Waterhouse Hylas and the Nymphs oil


Hylas and the Nymphs
Painting ID::  446
Hylas and the Nymphs
1896 Manchester City Art Galleries
1896_ Manchester_City_Art_Galleries
   
   
     

John William Waterhouse Marianne Leaving the Judgment Seat of Herod oil


Marianne Leaving the Judgment Seat of Herod
Painting ID::  447
Marianne Leaving the Judgment Seat of Herod
1887 Forbes Magazine Collection, New York, USA
1887_ Forbes_Magazine_Collection,_New_York,_USA
   
   
     

John William Waterhouse Ophelia oil


Ophelia
Painting ID::  448
Ophelia
1894 Private collection
1894_ Private_collection
   
   
     

John William Waterhouse Penelope and the Suitors oil


Penelope and the Suitors
Painting ID::  449
Penelope and the Suitors
1912 Aberdeen Art Gallery and Museum
1912_ Aberdeen_Art_Gallery_and_Museum
   
   
     

John William Waterhouse St.Cecilia oil


St.Cecilia
Painting ID::  450
St.Cecilia
1895
1895
   
   
     

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     John William Waterhouse
     English Pre-Raphaelite Painter, 1849-1917 English painter. His father was a minor English painter working in Rome. Waterhouse entered the Royal Academy Schools in London in 1870. He exhibited at the Society of British Artists from 1872 and at the Royal Academy from 1874. From 1877 to the 1880s he regularly travelled abroad, particularly to Italy. In the early 1870s he had produced a few uncharacteristic Orientalist keepsake paintings, but most of his works in this period are scenes from ancient history or classical genre subjects, similar to the work of Lawrence Alma-Tadema (e.g. Consulting the Oracle, c. 1882; London, Tate). However, Waterhouse consistently painted on a larger scale than Alma-Tadema. His brushwork is bolder, his sunlight casts harsher shadows and his history paintings are more dramatic.

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