Jean Baptiste Oudry

French Baroque Era Painter, 1686-1755 French painter. He was the principal animal painter and one of the foremost decorative painters during the first half of Louis XVs reign. After initial training as a portrait painter, he concentrated on still-lifes; by the 1720s he had also begun to establish himself as a specialist in hunting scenes, game-pieces and portraits of animals. He ran an active workshop, often keeping his best originals for years and selling copies and (more or less autograph) variants. In the 1730s he was most active as a tapestry designer, making numerous designs for the royal tapestry works of Beauvais and the Gobelins, and he continued to produce his brilliantly painted hunts, still-lifes and studies of animals and birds to the end of his career.


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Jean Baptiste Oudry Misse et Turly oil


Misse et Turly
Painting ID::  1081
Misse et Turly

   
   
     

Jean Baptiste Oudry Still Life with a Pheasant (mk05) oil


Still Life with a Pheasant (mk05)
Painting ID::  20650
Still Life with a Pheasant (mk05)
1753 Canvas 38 1/4 x 25 1/4''(97 x 64 cm)Assigned to the Louvre in 1950
   
   
     

Jean Baptiste Oudry Still Life with White Duck (mk08) oil


Still Life with White Duck (mk08)
Painting ID::  21873
Still Life with White Duck (mk08)
1753 Oil on canvas 95x63cm London,Marquise de Cholmondeley collection
   
   
     

Jean Baptiste Oudry Still Life with Fruit oil


Still Life with Fruit
Painting ID::  28464
Still Life with Fruit
mk60 1721 Oil on canvas 29x36"
mk60 1721 Oil_on_canvas 29x36"
   
   
     

Jean Baptiste Oudry Still Life with Calf's Leg oil


Still Life with Calf's Leg
Painting ID::  29372
Still Life with Calf's Leg
mk65 Oil on canvas 38 1/2x29"
mk65 Oil_on_canvas 38_1/2x29"
   
   
     

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     Jean Baptiste Oudry
     French Baroque Era Painter, 1686-1755 French painter. He was the principal animal painter and one of the foremost decorative painters during the first half of Louis XVs reign. After initial training as a portrait painter, he concentrated on still-lifes; by the 1720s he had also begun to establish himself as a specialist in hunting scenes, game-pieces and portraits of animals. He ran an active workshop, often keeping his best originals for years and selling copies and (more or less autograph) variants. In the 1730s he was most active as a tapestry designer, making numerous designs for the royal tapestry works of Beauvais and the Gobelins, and he continued to produce his brilliantly painted hunts, still-lifes and studies of animals and birds to the end of his career.

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