James-Goodwyn Clonney

British/American, 1812-1867, American painter. He was one of the first generation of American genre painters. His earliest datable work includes two lithographs of urban views and images of birds and animals published in New York between 1830 and 1835. He studied at the National Academy of Design, New York, and exhibited there periodically between 1834 and 1852. The first genre painting he exhibited at the National Academy was Militia Training (1841; Philadelphia, PA Acad. F.A.), although another example, In the Woodshed (1838; Boston, MA, Mus. F.A.), predates it. He also exhibited at the Pennsylvania Academy of Fine Arts (1845 and 1847) and at the Apollo Association and American Art-Union (1841-50).


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James-Goodwyn Clonney Fishen im Long Island Sound nahe oil


Fishen im Long Island Sound nahe
Painting ID::  45339
Fishen im Long Island Sound nahe
mk181 New Rochelle 1847
mk181 New_Rochelle 1847
   
   
     

James-Goodwyn Clonney Waking Up oil


Waking Up
Painting ID::  96907
Waking Up
1851(1851) Medium oil on canvas Dimensions 68.9 X 55.88 cm cyf
   
   
     

James-Goodwyn Clonney The Happy Moment oil


The Happy Moment
Painting ID::  96913
The Happy Moment
1847(1847) Medium oil on canvas Dimensions 68.58 X 55.88 cm cyf
   
   
     

James-Goodwyn Clonney In the Cornfield oil


In the Cornfield
Painting ID::  97439
In the Cornfield
1844(1844) Medium oil on canvas Dimensions 35.56 X 42.86 cm cyf
   
   
     

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     James-Goodwyn Clonney
     British/American, 1812-1867, American painter. He was one of the first generation of American genre painters. His earliest datable work includes two lithographs of urban views and images of birds and animals published in New York between 1830 and 1835. He studied at the National Academy of Design, New York, and exhibited there periodically between 1834 and 1852. The first genre painting he exhibited at the National Academy was Militia Training (1841; Philadelphia, PA Acad. F.A.), although another example, In the Woodshed (1838; Boston, MA, Mus. F.A.), predates it. He also exhibited at the Pennsylvania Academy of Fine Arts (1845 and 1847) and at the Apollo Association and American Art-Union (1841-50).

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