Giotto

Italian 1267-1337 Giotto Galleries Giotto di Bondone (c. 1267 ?C January 8, 1337), better known simply as Giotto, was an Italian painter and architect from Florence. He is generally considered the first in a line of great artists who contributed to the Italian Renaissance. Giotto's contemporary Giovanni Villani wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature. And he was given a salary by the commune [of Florence] in virtue of his talent and excellence." The later 16th century biographer Giorgio Vasari says of him "...He made a decisive break with the ...Byzantine style, and brought to life the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years." Giotto's masterwork is the decoration of the Scrovegni Chapel in Padua, commonly called the Arena Chapel, completed around 1305. This fresco cycle depicts the life of the Virgin and the life of Christ. It is regarded as one of the supreme masterpieces of the Early Renaissance. That Giotto painted the Arena Chapel and that he was chosen by the commune of Florence in 1334 to design the new campanile (bell tower) of the Florence Cathedral are among the few certainties of his biography. Almost every other aspect of it is subject to controversy: his birthdate, his birthplace, his appearance, his apprenticeship, the order in which he created his works, whether or not he painted the famous frescoes at Assisi, and where he was eventually buried after his death.


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Giotto St.Francis Mourned by St.Clare oil


St.Francis Mourned by St.Clare
Painting ID::  1790
St.Francis Mourned by St.Clare
Upper Church of San Francesco, Assisi
Upper_Church_of_San_Francesco,_Assisi
   
   
     

Giotto The Doctors of the Church oil


The Doctors of the Church
Painting ID::  1791
The Doctors of the Church
Upper Church of San Francesco, Assisi
Upper_Church_of_San_Francesco,_Assisi
   
   
     

Giotto Madonna and Child Enthroned among Angels and Saints oil


Madonna and Child Enthroned among Angels and Saints
Painting ID::  29694
Madonna and Child Enthroned among Angels and Saints
mk67 Tempera on panel 127 15/16x80 15/16in
mk67 Tempera_on_panel 127_15/16x80_15/16in
   
   
     

Giotto Madonna and Child with SS.Nicholas.john the Evangelist,Peter and Benedict oil


Madonna and Child with SS.Nicholas.john the Evangelist,Peter and Benedict
Painting ID::  29695
Madonna and Child with SS.Nicholas.john the Evangelist,Peter and Benedict
mk67 Tempera on panel 35 13/16x133 7/8in
mk67 Tempera_on_panel 35_13/16x133_7/8in
   
   
     

Giotto Recreation by our Gallery oil


Recreation by our Gallery
Painting ID::  32514
Recreation by our Gallery
mk79 1304-1306
mk79 1304-1306
   
   
     

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     Giotto
     Italian 1267-1337 Giotto Galleries Giotto di Bondone (c. 1267 ?C January 8, 1337), better known simply as Giotto, was an Italian painter and architect from Florence. He is generally considered the first in a line of great artists who contributed to the Italian Renaissance. Giotto's contemporary Giovanni Villani wrote that Giotto was "the most sovereign master of painting in his time, who drew all his figures and their postures according to nature. And he was given a salary by the commune [of Florence] in virtue of his talent and excellence." The later 16th century biographer Giorgio Vasari says of him "...He made a decisive break with the ...Byzantine style, and brought to life the great art of painting as we know it today, introducing the technique of drawing accurately from life, which had been neglected for more than two hundred years." Giotto's masterwork is the decoration of the Scrovegni Chapel in Padua, commonly called the Arena Chapel, completed around 1305. This fresco cycle depicts the life of the Virgin and the life of Christ. It is regarded as one of the supreme masterpieces of the Early Renaissance. That Giotto painted the Arena Chapel and that he was chosen by the commune of Florence in 1334 to design the new campanile (bell tower) of the Florence Cathedral are among the few certainties of his biography. Almost every other aspect of it is subject to controversy: his birthdate, his birthplace, his appearance, his apprenticeship, the order in which he created his works, whether or not he painted the famous frescoes at Assisi, and where he was eventually buried after his death.

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