J.M.W.Turner

English Romantic Painter, 1775-1851, British land- and seascape artist. Born in London the son of a barber, Turner was precociously talented. He entered the RA Schools in 1789, had a drawing exhibited at the academy in 1790, and was elected a full academician in 1802. He became professor of perspective in 1807. A prolific artist of amazing range of subject and style, he began work in water-colours, quickly founding both a reputation and a fortune, which made him independent of changing public taste. His work was not appreciated by everyone, but his supporters included Thomas Lawrence, John Ruskin, and the earl of Egremont. He died in eccentric obscurity under a false name.


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J.M.W.Turner crook of lune looking towards hornby castle oil


crook of lune looking towards hornby castle
Painting ID::  68871
crook of lune looking towards hornby castle
1817 pencil watercolour gouache and scratching-out 29.1x42.1cm se
   
   
     

J.M.W.Turner the deline of the carthaginian empire oil


the deline of the carthaginian empire
Painting ID::  68872
the deline of the carthaginian empire
1817 oil on canvas 170x238.5cm se
1817___oil_on_canvas_170x238.5cm se
   
   
     

J.M.W.Turner bingen from the nahe oil


bingen from the nahe
Painting ID::  68873
bingen from the nahe
1817 watercolour and gouache with scratchingout 19.5x31.6cm se
   
   
     

J.M.W.Turner caley hall oil


caley hall
Painting ID::  68874
caley hall
1818 watercolour and gouache on buff paper 29.9x41.4cm se
   
   
     

J.M.W.Turner kingfisher oil


kingfisher
Painting ID::  68875
kingfisher
1815-20 watercolour over pencil with scratchingout 17.8x16.4cm se
   
   
     

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     J.M.W.Turner
     English Romantic Painter, 1775-1851, British land- and seascape artist. Born in London the son of a barber, Turner was precociously talented. He entered the RA Schools in 1789, had a drawing exhibited at the academy in 1790, and was elected a full academician in 1802. He became professor of perspective in 1807. A prolific artist of amazing range of subject and style, he began work in water-colours, quickly founding both a reputation and a fortune, which made him independent of changing public taste. His work was not appreciated by everyone, but his supporters included Thomas Lawrence, John Ruskin, and the earl of Egremont. He died in eccentric obscurity under a false name.

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