Antonio Canova Huiler la Reproduction de TableauAll Antonio Canova Oil PaintingsItalian Neoclassical Sculptor, 1757-1822 |
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| Antonio Canova Italian Neoclassical Sculptor, 1757-1822 |
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ID de tableau:: 32542 la Récréation par notre Galerie Recreation by our Gallery mk79 1789-1790 mk79 1789-1790 |
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ID de tableau:: 32614 la Récréation par notre Galerie Recreation by our Gallery mk79 1798 mk79 1798 |
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ID de tableau:: 38548 le Marbre Marble mk138 160x65x85cm Dans l~Antikensamm-Poumon de Koniglichen depuis 1830 transféré au Nationalgalerie dans 1878 mk138 160x65x85cm In the Koniglichen Antikensamm-lung since 1830 transferred to the Nationalgalerie in 1878 |
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ID de tableau:: 62405 Tomb of Pope Clement XIII Tomb of Pope Clement XIII 1792 Marble Basilica di San Pietro, Vatican Here, too, Berninian references are not lacking, as in the figure of the pope, but the overall setting places the whole amongst the finest works of Neoclassical in general, not just in Rome. The asymmetrical figures of Religion and Genius generate a circular movement that pervades the entire composition. Author: CANOVA, Antonio Title: Tomb of Pope Clement XIII Form: sculpture , 1751-1800 , Italian , religious 1792 Marble Basilica di San Pietro, Vatican Here, too, Berninian references are not lacking, as in the figure of the pope, but the overall setting places the whole amongst the finest works of Neoclassical in general, not just in Rome. The asymmetrical figures of Religion and Genius generate a circular movement that pervades the entire composition. Author: CANOVA, Antonio Title: Tomb of Pope Clement XIII Form: sculpture , 1751-1800 , Italian , religious |
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ID de tableau:: 62546 The Three Graces Dancing The Three Graces Dancing 1799 Tempera on paper Canova Museum, Possagna Canova mentioned "various ideas on dances, the play between nymphs and cupids, muses, philosophers, etc., sketched exclusively for the artist's own study and enjoyment." There is little doubt he was referring to the tempera cycle at Possagno and similar sketches now in Bassano. Picking up the themes and techniques discovered in Herculaneum, Canova created brightly coloured mythological figures that stand out against the black background. These sketches are the forerunners of themes and figures he would later sculpt. The picture shows a detail from a frieze. Author: CANOVA, Antonio Title: The Three Graces Dancing Form: graphics , 1751-1800 , Italian , mythological 1799 Tempera on paper Canova Museum, Possagna Canova mentioned "various ideas on dances, the play between nymphs and cupids, muses, philosophers, etc., sketched exclusively for the artist's own study and enjoyment." There is little doubt he was referring to the tempera cycle at Possagno and similar sketches now in Bassano. Picking up the themes and techniques discovered in Herculaneum, Canova created brightly coloured mythological figures that stand out against the black background. These sketches are the forerunners of themes and figures he would later sculpt. The picture shows a detail from a frieze. Author: CANOVA, Antonio Title: The Three Graces Dancing Form: graphics , 1751-1800 , Italian , mythological |
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Antonio Canova Italian Neoclassical Sculptor, 1757-1822 |
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