kees van dongen Huiler la Reproduction de Tableau


All kees van dongen Oil Paintings

kees van dongen,(1877 to 1968),French painter and printmaker of Dutch birth. He took evening classes in geometric drawing from 1892 to 1897 at the Akademie voor Beeldende Kunsten in Rotterdam. In 1895 he began working intermittently for the newspaper Rotterdamsche Nieuwsblad, for which he made, among other things, a series of bright watercolour drawings of Rotterdams red-light district and illustrations of Queen Wilhelminas coronation. Van Dongen first paintings used dark tones in imitation of Rembrandt, who remained the most important model for his work; his later book on Rembrandt was, in fact, a projection of his own life. By the mid-1890s he was using more vivid contrasts of black and white, for example in Spotted Chimera (1895; priv. col., see Chaumeil, pl. 1), his palette soon becoming brighter and his line more animated. In Le Muet Windmill (1896; priv. col., see Chaumeil, pl. 7), a red ochre monochrome painting, he successfully enlivened the colour by means of broad, energetic brushstrokes.
 


  1  2  3   prochain
Artiste précédent       Artiste prochain     

     kees van dongen
     kees van dongen,(1877 to 1968),French painter and printmaker of Dutch birth. He took evening classes in geometric drawing from 1892 to 1897 at the Akademie voor Beeldende Kunsten in Rotterdam. In 1895 he began working intermittently for the newspaper Rotterdamsche Nieuwsblad, for which he made, among other things, a series of bright watercolour drawings of Rotterdams red-light district and illustrations of Queen Wilhelminas coronation. Van Dongen first paintings used dark tones in imitation of Rembrandt, who remained the most important model for his work; his later book on Rembrandt was, in fact, a projection of his own life. By the mid-1890s he was using more vivid contrasts of black and white, for example in Spotted Chimera (1895; priv. col., see Chaumeil, pl. 1), his palette soon becoming brighter and his line more animated. In Le Muet Windmill (1896; priv. col., see Chaumeil, pl. 7), a red ochre monochrome painting, he successfully enlivened the colour by means of broad, energetic brushstrokes.
 

Search Now !


kees van dongen woman in black hat oil painting artist
  ID de tableau::   56397
woman in black hat
woman in black hat
mk247 1908,oil on canvas,39x32 in,100x81 cm,state hermitagge museum,st.petersburg,russia
mk247 1908,oil on canvas,39x32 in,100x81 cm,state hermitagge museum,st.petersburg,russia


 

kees van dongen fate oil painting artist
  ID de tableau::   66368
fate
fate
mk289 1901 warercolor private collection
mk289 1901 warercolor private collection


 

kees van dongen portrait of guus on a red ground oil painting artist
  ID de tableau::   66370
portrait of guus on a red ground
portrait of guus on a red ground
mk289 1910 oil on canvas collection mlle D.A. van dongen paris
mk289 1910 oil on canvas collection mlle D.A. van dongen paris


 

kees van dongen yellow boots oil painting artist
  ID de tableau::   66518
yellow boots
yellow boots
mk289 1902 oil on canvas 130x97cm private collection
mk289 1902 oil on canvas 130x97cm private collection


 

kees van dongen Ibe moulin de la galette oil painting artist
  ID de tableau::   66519
Ibe moulin de la galette
Ibe moulin de la galette
mk289 1904 oil on canvas 55x46cm private collection
mk289 1904 oil on canvas 55x46cm private collection


 

  1  2  3   prochain
Artiste précédent       Artiste prochain     

     kees van dongen
    kees van dongen,(1877 to 1968),French painter and printmaker of Dutch birth. He took evening classes in geometric drawing from 1892 to 1897 at the Akademie voor Beeldende Kunsten in Rotterdam. In 1895 he began working intermittently for the newspaper Rotterdamsche Nieuwsblad, for which he made, among other things, a series of bright watercolour drawings of Rotterdams red-light district and illustrations of Queen Wilhelminas coronation. Van Dongen first paintings used dark tones in imitation of Rembrandt, who remained the most important model for his work; his later book on Rembrandt was, in fact, a projection of his own life. By the mid-1890s he was using more vivid contrasts of black and white, for example in Spotted Chimera (1895; priv. col., see Chaumeil, pl. 1), his palette soon becoming brighter and his line more animated. In Le Muet Windmill (1896; priv. col., see Chaumeil, pl. 7), a red ochre monochrome painting, he successfully enlivened the colour by means of broad, energetic brushstrokes.

CONTACTER DES Etats-Unis
Xiamen Chine Pétrole en gros Peignant la Barre de Civière Cadre en gros Moulant le Miroir Tableaux Tendus Encadrés