paolo uccello Huiler la Reproduction de TableauAll paolo uccello Oil Paintings(b Florence, c. 1397; d Florence, 10 Dec 1475). Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco (many of his works in this medium have been severely damaged), he was also a master mosaicist and produced designs for stained glass. |
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| paolo uccello (b Florence, c. 1397; d Florence, 10 Dec 1475). Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco (many of his works in this medium have been severely damaged), he was also a master mosaicist and produced designs for stained glass. |
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ID de tableau:: 57084 the battle of san romano the battle of san romano mk247 begun c.1440,tempera on panel ,71x126 in(each panel, ', ', ', ', ', ', ', '),national gallery,uk uffizi,ltaly,louvre,france mk247 begun c.1440,tempera on panel ,71x126 in(each panel, ', ', ', ', ', ', ', '),national gallery,uk uffizi,ltaly,louvre,france |
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ID de tableau:: 57087 the battle of san romano the battle of san romano mk247 begun c.1440,tempera on panel ,71x126 in(each panel)national gallery,uk,uffizi,ltaly,louvre,france mk247 begun c.1440,tempera on panel ,71x126 in(each panel)national gallery,uk,uffizi,ltaly,louvre,france |
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ID de tableau:: 57089 the battle of san romano the battle of san romano mk247 begun c.1440,tempera on panel ,71x126 in(each panel, ', ', ', ', ', ', ', '),national gallery,uk,uffizi,ltaly,louvre,france mk247 begun c.1440,tempera on panel ,71x126 in(each panel, ', ', ', ', ', ', ', '),national gallery,uk,uffizi,ltaly,louvre,france |
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ID de tableau:: 61226 Creation of the Animals and Creation of Adam Creation of the Animals and Creation of Adam Creation of the Animals and Creation of Adam; (Below) Creation of Eve and the Expulsion Creation of the Animals and Creation of Adam; (Below) Creation of Eve and the Expulsion |
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ID de tableau:: 61227 A gothicizing tendency of Uccello art is nowhere more apparent than in Saint George and the Dragon A gothicizing tendency of Uccello art is nowhere more apparent than in Saint George and the Dragon A gothicizing tendency of Uccello's art is nowhere more apparent than in Saint George and the Dragon (c. 1456). A gothicizing tendency of Uccello's art is nowhere more apparent than in Saint George and the Dragon (c. 1456). |
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paolo uccello (b Florence, c. 1397; d Florence, 10 Dec 1475). Italian painter, draughtsman, mosaicist and designer of stained glass. His work vividly illustrates the principal issues of Florentine art during the first half of the 15th century. Trained within the tradition of the Late Gothic style, he eventually became a leading exponent of the application of linear perspective based on the mathematical system established by Filippo Brunelleschi and Leon Battista Alberti. It is the merging of these two diametrically opposed tendencies that forms the basis of Uccello's style. As well as painting on panel and in fresco (many of his works in this medium have been severely damaged), he was also a master mosaicist and produced designs for stained glass. |
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