eduard hanslick Huiler la Reproduction de TableauAll eduard hanslick Oil PaintingsGerman music critic, aesthetician and pioneer of musical appreciation. He studied music with Tom??šek and read law at Prague University, writing his earliest essays for the Prague journal Ost und West and for the Wiener Musikzeitung, the Sonntagsblätter and the Wiener Zeitung. From 1849 to 1861 he was a civil servant, chiefly for the ministry of culture, meanwhile writing for the Presse, publishing his important book Vom Musikalisch-Schönen (1854) and lecturing on music appreciation at Vienna University, becoming full professor in 1870. He was also active as a musical emissary and helped promote the standardization of musical pitch. Among his long-standing friends were Brahms and the philosopher Robert Zimmermann. Though his aesthetic enshrined the classical ideals of orderliness and formal perfection, his interests were limited to the music of his own time. |
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| eduard hanslick German music critic, aesthetician and pioneer of musical appreciation. He studied music with Tom??šek and read law at Prague University, writing his earliest essays for the Prague journal Ost und West and for the Wiener Musikzeitung, the Sonntagsblätter and the Wiener Zeitung. From 1849 to 1861 he was a civil servant, chiefly for the ministry of culture, meanwhile writing for the Presse, publishing his important book Vom Musikalisch-Schönen (1854) and lecturing on music appreciation at Vienna University, becoming full professor in 1870. He was also active as a musical emissary and helped promote the standardization of musical pitch. Among his long-standing friends were Brahms and the philosopher Robert Zimmermann. Though his aesthetic enshrined the classical ideals of orderliness and formal perfection, his interests were limited to the music of his own time. |
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ID de tableau:: 60388 senta leaps toher death an art nouveau illustration of the final scene of the flying futchman senta leaps toher death an art nouveau illustration of the final scene of the flying futchman mk270 senta leaps toher death an art nouveau illustration of the final scene of the flying futchman. mk270 senta leaps toher death an art nouveau illustration of the final scene of the flying futchman. |
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ID de tableau:: 60389 daughter of franz liszt daughter of franz liszt mk270 a domestic vision of wagner at home wih his second wife cosima, daughter of franz liszt. mk270 a domestic vision of wagner at home wih his second wife cosima, daughter of franz liszt. |
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ID de tableau:: 60390 a romantic impression of wagner compoing his epic saga der ring des nibelungen a romantic impression of wagner compoing his epic saga der ring des nibelungen mk270 a romantic impression of wagner compoing his epic saga der ring des nibelungen, a cycle of four operas completed in 1874 mk270 a romantic impression of wagner compoing his epic saga der ring des nibelungen, a cycle of four operas completed in 1874 |
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ID de tableau:: 60391 designed by thomas edwin mostyn designed by thomas edwin mostyn mk270 a 1914 stage set for in parsifal, designed by thomas edwin mostyn mk270 a 1914 stage set for in parsifal, designed by thomas edwin mostyn |
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ID de tableau:: 60392 brunnhilde brunnhilde mk270 brunnhilde, from arthur rackham s 1910 watercolour illustrations to the rhinegold and the valkyrie. mk270 brunnhilde, from arthur rackham s 1910 watercolour illustrations to the rhinegold and the valkyrie. |
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eduard hanslick German music critic, aesthetician and pioneer of musical appreciation. He studied music with Tom??šek and read law at Prague University, writing his earliest essays for the Prague journal Ost und West and for the Wiener Musikzeitung, the Sonntagsblätter and the Wiener Zeitung. From 1849 to 1861 he was a civil servant, chiefly for the ministry of culture, meanwhile writing for the Presse, publishing his important book Vom Musikalisch-Schönen (1854) and lecturing on music appreciation at Vienna University, becoming full professor in 1870. He was also active as a musical emissary and helped promote the standardization of musical pitch. Among his long-standing friends were Brahms and the philosopher Robert Zimmermann. Though his aesthetic enshrined the classical ideals of orderliness and formal perfection, his interests were limited to the music of his own time. |
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