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Hendrick ter Brugghen (1588 - Nov 1, 1629) was a Dutch painter, and a leading member of the Dutch followers of Caravaggio ?? the so-called Dutch Caravaggisti.
Little is known of the early life of ter Brugghen; he could have been born in The Hague, but his family seems to have moved to the strongly Catholic Utrecht in the early 1590s. Here he started painting at the age of thirteen, studying with Abraham Bloemaert. From Bloemaert, a Mannerist history painter, he learned the basics of the art. Around 1604, however, ter Brugghen travelled to Italy to expand his skills, a rather unusual move for Dutch painters at the time. He was in Rome in 1604, and could therefore have been in direct contact with Caravaggio. |
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ID de tableau:: 60997 Hendrick ter Brugghen, Flute Player Hendrick ter Brugghen, Flute Player
Hendrick ter Brugghen, Flute Player (1621). Hendrick ter Brugghen, Flute Player (1621).
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ID de tableau:: 61000 Doubting Thomas Doubting Thomas
Doubting Thomas (1621?C1623) Doubting Thomas (1621?C1623)
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ID de tableau:: 67663 Esau Selling His Birthright Esau Selling His Birthright
Technique Oil on canvas
Dimensions 107 x 139 cm
Technique Oil on canvas
Dimensions 107 x 139 cm
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ID de tableau:: 68261 The Calling of St. Matthew The Calling of St. Matthew
Technique Oil on canvas
Dimensions 102 x 137
Technique Oil on canvas
Dimensions 102 x 137
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ID de tableau:: 68412 Heraclitus Heraclitus
Technique Oil on canvas
Dimensions 85.5 ?? 70 cm
Technique Oil on canvas
Dimensions 85.5 ?? 70 cm
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Hendrick ter Brugghen (1588 - Nov 1, 1629) was a Dutch painter, and a leading member of the Dutch followers of Caravaggio ?? the so-called Dutch Caravaggisti.
Little is known of the early life of ter Brugghen; he could have been born in The Hague, but his family seems to have moved to the strongly Catholic Utrecht in the early 1590s. Here he started painting at the age of thirteen, studying with Abraham Bloemaert. From Bloemaert, a Mannerist history painter, he learned the basics of the art. Around 1604, however, ter Brugghen travelled to Italy to expand his skills, a rather unusual move for Dutch painters at the time. He was in Rome in 1604, and could therefore have been in direct contact with Caravaggio.
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