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Johann Georg Ziesenis
(b Copenhagen, 1716; d Hannover, 4 March 1776). German painter of Danish birth. He trained with his father, Johann Georg Ziesenis (1681-1748); he became a German citizen in 1743 and subsequently was appointed court painter to Herzog Christian von Pfalz-Zweibrecken in Zweibrecken and, later, Mannheim. In the early 1750s he overcame his technical shortcomings by studying Flemish art, particularly the work of Rubens and van Dyck. He also introduced a new genre, the private court portrait. His portrait of Karl Philipp Theodor, Kurferst von der Pfalz (1757; Munich, Alte Pin.) is original in its intimate view of a nobleman posed at leisure in casual dress, seated in his private study. |
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ID de tableau:: 77517 Enkedronning Juliane Marie Enkedronning Juliane Marie
Date 1766-1767
Medium Oil
cyf Date 1766-1767
Medium Oil
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ID de tableau:: 78143 State Portrait of Prince William V of Orange State Portrait of Prince William V of Orange
Date 18th century (before 1776)
Medium Oil on canvas
Dimensions 113 x 91 cm (44.5 x 35.8 in)
cyf Date 18th century (before 1776)
Medium Oil on canvas
Dimensions 113 x 91 cm (44.5 x 35.8 in)
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ID de tableau:: 79027 Portrait of Princess Frederika Sophia Wilhelmina Portrait of Princess Frederika Sophia Wilhelmina
1768-1769
Oil on canvas
140 x 101 cm (55.1 x 39.8 in)
cjr 1768-1769
Oil on canvas
140 x 101 cm (55.1 x 39.8 in)
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ID de tableau:: 80059 Portrait of Friedrich Ferdinand von Sachsen-Weimar-Eisenach Portrait of Friedrich Ferdinand von Sachsen-Weimar-Eisenach
ca. 1776(1776)
cjr ca. 1776(1776)
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ID de tableau:: 81991 Portrait of Princess Frederika Sophia Wilhelmina Portrait of Princess Frederika Sophia Wilhelmina
Oil on canvas
Dimensions 140 x 101 cm (55.1 x 39.8 in)
cyf Oil on canvas
Dimensions 140 x 101 cm (55.1 x 39.8 in)
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| Artiste précédent Artiste prochain
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Johann Georg Ziesenis
(b Copenhagen, 1716; d Hannover, 4 March 1776). German painter of Danish birth. He trained with his father, Johann Georg Ziesenis (1681-1748); he became a German citizen in 1743 and subsequently was appointed court painter to Herzog Christian von Pfalz-Zweibrecken in Zweibrecken and, later, Mannheim. In the early 1750s he overcame his technical shortcomings by studying Flemish art, particularly the work of Rubens and van Dyck. He also introduced a new genre, the private court portrait. His portrait of Karl Philipp Theodor, Kurferst von der Pfalz (1757; Munich, Alte Pin.) is original in its intimate view of a nobleman posed at leisure in casual dress, seated in his private study.
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