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Gustave Boulanger (1824-88) was a French figure painter known for his Neo-Grec style. He was born at Paris, studied with Delaroche and Jollivet, and in 1849 took the Prix de Rome. His paintings are prime examples of academic art of the time, particularly history painting. Boulanger had visited Italy, Greece, and North Africa, and his paintings reflect his attention to culturally correct details and skill in rendering the female form. His works include a Moorish Cafe (1848), Cæsar at the Rubicon (1865), the Promenade in the Street of Tombs, Pompeii (1869), and The Slave Market (1888). The recipient of many medals, he became a member of the Institut de France in 1882. |
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ID de tableau:: 80705 Le marche aux esclaves - The Slave Market Le marche aux esclaves - The Slave Market
Painting entitled Le march aux esclave. The Slave Market, Oil on canvas
Date before 1882(1882)
cjr Painting entitled Le march aux esclave. The Slave Market, Oil on canvas
Date before 1882(1882)
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ID de tableau:: 80730 Portrait of Adele Hugo Portrait of Adele Hugo
1839(1839)
Medium Oil on canvas
Dimensions 116 x 90 cm (45.7 x 35.4 in)
cyf 1839(1839)
Medium Oil on canvas
Dimensions 116 x 90 cm (45.7 x 35.4 in)
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ID de tableau:: 81977 An Arab Horseman An Arab Horseman
Oil on canvas, 54 x 82 cm (21.3 x 32.3 in)
Date 1865(1865)
cyf Oil on canvas, 54 x 82 cm (21.3 x 32.3 in)
Date 1865(1865)
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ID de tableau:: 83677 Cest Un Emir Cest Un Emir
Oil on canvas, 71 x 104 cm (28 x 40.9 in)
Date 1870(1870)
cyf Oil on canvas, 71 x 104 cm (28 x 40.9 in)
Date 1870(1870)
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ID de tableau:: 84896 Le march aux esclaves Le march aux esclaves
Date before 1882
cyf Date before 1882
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Gustave Boulanger (1824-88) was a French figure painter known for his Neo-Grec style. He was born at Paris, studied with Delaroche and Jollivet, and in 1849 took the Prix de Rome. His paintings are prime examples of academic art of the time, particularly history painting. Boulanger had visited Italy, Greece, and North Africa, and his paintings reflect his attention to culturally correct details and skill in rendering the female form. His works include a Moorish Cafe (1848), Cæsar at the Rubicon (1865), the Promenade in the Street of Tombs, Pompeii (1869), and The Slave Market (1888). The recipient of many medals, he became a member of the Institut de France in 1882.
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