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(1578 - 22 January 1649) was an Italian painter of the early Baroque, born and active mainly in Verona, and moving late in life to Rome. He also went by the name Alessandro Veronese or the nickname L'Obetto. Turchi initially trained with Felice Riccio (il Brusasorci) in Verona. By 1603, he is already working as independent painter, and in 1606-1609, Turchi paints the organ shutters for the Filarmonica Academy of Verona. When Brusasorci dies in 1605, Turchi and his fellow Paschal Ottino (or Pasquale) complete a series of their deceased master's canvases. In 1610, he completes an Assumption altarpiece for the church of San Luca of Verona In 1612, the Veronese Guild of the Goldsmiths commissions an altarpiece, today lost, of the Madonna and Saints. On leaving the school of Riccio, he went to Venice, where he worked for a time under Curio Cagliari.
 


 
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     Alessandro Turchi
      (1578 - 22 January 1649) was an Italian painter of the early Baroque, born and active mainly in Verona, and moving late in life to Rome. He also went by the name Alessandro Veronese or the nickname L'Obetto. Turchi initially trained with Felice Riccio (il Brusasorci) in Verona. By 1603, he is already working as independent painter, and in 1606-1609, Turchi paints the organ shutters for the Filarmonica Academy of Verona. When Brusasorci dies in 1605, Turchi and his fellow Paschal Ottino (or Pasquale) complete a series of their deceased master's canvases. In 1610, he completes an Assumption altarpiece for the church of San Luca of Verona In 1612, the Veronese Guild of the Goldsmiths commissions an altarpiece, today lost, of the Madonna and Saints. On leaving the school of Riccio, he went to Venice, where he worked for a time under Curio Cagliari.
 

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Alessandro Turchi The Lamentation over the Dead Christ oil painting artist
  ID de tableau::   81513
The Lamentation over the Dead Christ
The Lamentation over the Dead Christ
Date 1617(1617) Medium Oil on slate Dimensions Height: 42 cm (16.5 in). Width: 53 cm (20.9 in). cjr
Date 1617(1617) Medium Oil on slate Dimensions Height: 42 cm (16.5 in). Width: 53 cm (20.9 in). cjr


 

Alessandro Turchi Template:The Raising of Lazarus oil painting artist
  ID de tableau::   84704
Template:The Raising of Lazarus
Template:The Raising of Lazarus
Date 1617(1617) Medium Oil on slate Dimensions Height: 36 cm (14.2 in). Width: 27 cm (10.6 in). cjr
Date 1617(1617) Medium Oil on slate Dimensions Height: 36 cm (14.2 in). Width: 27 cm (10.6 in). cjr


 

Alessandro Turchi The Lamentation over the Dead Christ oil painting artist
  ID de tableau::   85237
The Lamentation over the Dead Christ
The Lamentation over the Dead Christ
1617(1617) Medium Oil on slate cyf
1617(1617) Medium Oil on slate cyf


 

Alessandro Turchi Bacchus and Ariadne oil painting artist
  ID de tableau::   87921
Bacchus and Ariadne
Bacchus and Ariadne
Oil on canvas, 114,5 x 147,5 cm cjr
Oil on canvas, 114,5 x 147,5 cm cjr


 

Alessandro Turchi Saint Agatha Attended by Saint Peter and an Angel in Prison oil painting artist
  ID de tableau::   96261
Saint Agatha Attended by Saint Peter and an Angel in Prison
Saint Agatha Attended by Saint Peter and an Angel in Prison
circa between 1640(1640) and 1645(1645) (Baroque) Medium oil on slate cyf
circa between 1640(1640) and 1645(1645) (Baroque) Medium oil on slate cyf


 

 
Artiste précédent       Artiste prochain     

     Alessandro Turchi
     (1578 - 22 January 1649) was an Italian painter of the early Baroque, born and active mainly in Verona, and moving late in life to Rome. He also went by the name Alessandro Veronese or the nickname L'Obetto. Turchi initially trained with Felice Riccio (il Brusasorci) in Verona. By 1603, he is already working as independent painter, and in 1606-1609, Turchi paints the organ shutters for the Filarmonica Academy of Verona. When Brusasorci dies in 1605, Turchi and his fellow Paschal Ottino (or Pasquale) complete a series of their deceased master's canvases. In 1610, he completes an Assumption altarpiece for the church of San Luca of Verona In 1612, the Veronese Guild of the Goldsmiths commissions an altarpiece, today lost, of the Madonna and Saints. On leaving the school of Riccio, he went to Venice, where he worked for a time under Curio Cagliari.

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