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All Giuseppe Antonio Petrini Oil Paintings

(October 23, 1677- c. 1755-9) was a painter of the late-Baroque, active mainly in Lugano, present-day Switzerland. St. Andrew City Museum of Rimini, ItalyWhile born in Carona in Canton Ticino and died in Lugano, both in Switzerland, Petrini belongs to the Northern Italian or Lombard heritage of baroque painting. He possibly apprenticed with Bartolomeo Guidobono after 1700. While some works can be found in Como and Bergamo, most are located in Lugano and the surrounding area. He is also listed between 1711 and 1753 as fabbriciere of the church of Madonna deOnegro in Carona. He often painted "portraits" of historical figures including saints, philosophers, and scientists for patrons. One of his more prominent examples is his depiction of an auster St. Peter emerging from the shadows to pinpoint some lines in the gospel. He painted another St. Peter for the parish church of Dubino. Pietro Ligari classified him among the speculative painters, since these portraits, by nature, were imagined.
 


 
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     Giuseppe Antonio Petrini
      (October 23, 1677- c. 1755-9) was a painter of the late-Baroque, active mainly in Lugano, present-day Switzerland. St. Andrew City Museum of Rimini, ItalyWhile born in Carona in Canton Ticino and died in Lugano, both in Switzerland, Petrini belongs to the Northern Italian or Lombard heritage of baroque painting. He possibly apprenticed with Bartolomeo Guidobono after 1700. While some works can be found in Como and Bergamo, most are located in Lugano and the surrounding area. He is also listed between 1711 and 1753 as fabbriciere of the church of Madonna deOnegro in Carona. He often painted "portraits" of historical figures including saints, philosophers, and scientists for patrons. One of his more prominent examples is his depiction of an auster St. Peter emerging from the shadows to pinpoint some lines in the gospel. He painted another St. Peter for the parish church of Dubino. Pietro Ligari classified him among the speculative painters, since these portraits, by nature, were imagined.
 

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Giuseppe Antonio Petrini Laughing Democritus. oil painting artist
  ID de tableau::   91080
Laughing Democritus.
Laughing Democritus.
c. 1750(1750) Medium oil on canvas cjr
c. 1750(1750) Medium oil on canvas cjr


 

Giuseppe Antonio Petrini Weeping Heraclitus oil painting artist
  ID de tableau::   91081
Weeping Heraclitus
Weeping Heraclitus
c. 1750(1750) Medium oil on canvas cjr
c. 1750(1750) Medium oil on canvas cjr


 

Giuseppe Antonio Petrini Landscape with a water carrier oil painting artist
  ID de tableau::   97905
Landscape with a water carrier
Landscape with a water carrier
second half of 17th century Medium oil on canvas Dimensions 114.5 x 144 cm cyf
second half of 17th century Medium oil on canvas Dimensions 114.5 x 144 cm cyf


 

Giuseppe Antonio Petrini Cleopatra Lussuriosa oil painting artist
  ID de tableau::   98205
Cleopatra Lussuriosa
Cleopatra Lussuriosa
1900(1900) Medium oil on canvas Dimensions 193 x 151 cm cyf
1900(1900) Medium oil on canvas Dimensions 193 x 151 cm cyf


 

 
Artiste précédent       Artiste prochain     

     Giuseppe Antonio Petrini
     (October 23, 1677- c. 1755-9) was a painter of the late-Baroque, active mainly in Lugano, present-day Switzerland. St. Andrew City Museum of Rimini, ItalyWhile born in Carona in Canton Ticino and died in Lugano, both in Switzerland, Petrini belongs to the Northern Italian or Lombard heritage of baroque painting. He possibly apprenticed with Bartolomeo Guidobono after 1700. While some works can be found in Como and Bergamo, most are located in Lugano and the surrounding area. He is also listed between 1711 and 1753 as fabbriciere of the church of Madonna deOnegro in Carona. He often painted "portraits" of historical figures including saints, philosophers, and scientists for patrons. One of his more prominent examples is his depiction of an auster St. Peter emerging from the shadows to pinpoint some lines in the gospel. He painted another St. Peter for the parish church of Dubino. Pietro Ligari classified him among the speculative painters, since these portraits, by nature, were imagined.

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