Giacomo Guardi Huiler la Reproduction de TableauAll Giacomo Guardi Oil Paintings(1764-1835) was an Italian painter from Venice. The son of famous veduta painter Francesco Guardi, he continued his father's line of work, though without the same level of renown. The majority of his works are quite small views of only minor artistic interest, more akin to postcards than to his father's grand scenes, but he produced several paintings showcasing a notable level of artistic skill as well. Evaluating his legacy is somewhat complicated due to the frequency with which paintings are misattributed to him. |
|||
 |
|
||
|
|
|||
|
||||||||||||
| Giacomo Guardi (1764-1835) was an Italian painter from Venice. The son of famous veduta painter Francesco Guardi, he continued his father's line of work, though without the same level of renown. The majority of his works are quite small views of only minor artistic interest, more akin to postcards than to his father's grand scenes, but he produced several paintings showcasing a notable level of artistic skill as well. Evaluating his legacy is somewhat complicated due to the frequency with which paintings are misattributed to him. |
||||||||||||
|
|
||||||||||||
|
ID de tableau:: 92600 View of the Isola di San Michele in Venice View of the Isola di San Michele in Venice 1774 - 1835 Medium oil on canvas Dimensions 14 X 21.5 cm (5.5 X 8.5 in) cjr 1774 - 1835 Medium oil on canvas Dimensions 14 X 21.5 cm (5.5 X 8.5 in) cjr |
|||||||||||
|
|
||||||||||||
|
| Artiste précédent Artiste prochain | |||||||||||
|
|
||||||||||||
|
Giacomo Guardi (1764-1835) was an Italian painter from Venice. The son of famous veduta painter Francesco Guardi, he continued his father's line of work, though without the same level of renown. The majority of his works are quite small views of only minor artistic interest, more akin to postcards than to his father's grand scenes, but he produced several paintings showcasing a notable level of artistic skill as well. Evaluating his legacy is somewhat complicated due to the frequency with which paintings are misattributed to him. |
||||||||||||
|
|
||||||||||||
|
CONTACTER DES Etats-Unis |