|
Hans von Aachen was a German mannerist painter.
His name is derived from the birth place of his father, Aachen in Germany. Other variations of the name include Johann von - and - von Achen and various concisions like Janachen, Fanachen, Abak, Jean Dac, Aquano, van Aken etc.
Hans von Aachen began painting in Germany as a pupil of the Flemish master E. Jerrigh. He then moved to Italy in 1574 to study further. He toured Rome and Florence, but eventually settled in Venice. He initially became a pupil of Kaspar Rems, but soon decided to develop his own mannerist technique, by studying Tintoretto and Michelangelo's followers. However, during all of his life he was influenced by the style of Bartholomeus Spranger and Hendrick Goltzius who dominated the art scene in Germany at the time.
He returned to Germany in 1588 where he became well known as a painter of portraits for noble houses. He painted several works for Duke William V of Bavaria. He married Regina, the daughter of the composer Orlando di Lasso in Munich. In Munich he came into contact with the Imperial Court in Prague. In 1592 he was appointed official painter of Rudolph II, Holy Roman Emperor. However, Von Aachen only moved to Prague in 1601, where he stayed painting commissions from Emperor Rudolph II, and later from Matthias I.
Amongst van Aachens pupils were Peter Isaak and Joseph Heinz. His works have been copied by Wolfgang Kilian, Dominicus Custos and Jan Sadeler.
|
|
|
|
|
ID de tableau:: 67878 The rape of Proserpine The rape of Proserpine
Year 1587(1587)
Technique Oil on canvas
Dimensions 109 X 150 cm
Year 1587(1587)
Technique Oil on canvas
Dimensions 109 X 150 cm
|
|
|
|
|
|
|
ID de tableau:: 67879 Le jugement de Paris Le jugement de Paris
Year 1588(1588)
Technique Oil on canvas
Dimensions 87.5 X 133 cm
Year 1588(1588)
Technique Oil on canvas
Dimensions 87.5 X 133 cm
|
|
|
|
|
|
|
ID de tableau:: 67880 The Amazement of the Gods The Amazement of the Gods
Year 1590s (?)
Technique Oil on copper
Dimensions 35.5 X 45.8 cm
Year 1590s (?)
Technique Oil on copper
Dimensions 35.5 X 45.8 cm
|
|
|
|
|
|
|
ID de tableau:: 67881 Bacchus Ceres and Amor Bacchus Ceres and Amor
Year ca. 1600(1600)
Technique Oil on canvas
Dimensions 163 X 113 cm
Year ca. 1600(1600)
Technique Oil on canvas
Dimensions 163 X 113 cm
|
|
|
|
|
|
|
ID de tableau:: 67882 Allegory of Peace Art and Abundance Allegory of Peace Art and Abundance
Year 1602(1602)
Technique Oil on canvas
Dimensions 197 X 142 cm
Year 1602(1602)
Technique Oil on canvas
Dimensions 197 X 142 cm
|
|
|
|
|
| Artiste précédent Artiste prochain
|
|
Hans von Aachen was a German mannerist painter.
His name is derived from the birth place of his father, Aachen in Germany. Other variations of the name include Johann von - and - von Achen and various concisions like Janachen, Fanachen, Abak, Jean Dac, Aquano, van Aken etc.
Hans von Aachen began painting in Germany as a pupil of the Flemish master E. Jerrigh. He then moved to Italy in 1574 to study further. He toured Rome and Florence, but eventually settled in Venice. He initially became a pupil of Kaspar Rems, but soon decided to develop his own mannerist technique, by studying Tintoretto and Michelangelo's followers. However, during all of his life he was influenced by the style of Bartholomeus Spranger and Hendrick Goltzius who dominated the art scene in Germany at the time.
He returned to Germany in 1588 where he became well known as a painter of portraits for noble houses. He painted several works for Duke William V of Bavaria. He married Regina, the daughter of the composer Orlando di Lasso in Munich. In Munich he came into contact with the Imperial Court in Prague. In 1592 he was appointed official painter of Rudolph II, Holy Roman Emperor. However, Von Aachen only moved to Prague in 1601, where he stayed painting commissions from Emperor Rudolph II, and later from Matthias I.
Amongst van Aachens pupils were Peter Isaak and Joseph Heinz. His works have been copied by Wolfgang Kilian, Dominicus Custos and Jan Sadeler.
|
|