Paulus Moreelse Huiler la Reproduction de TableauAll Paulus Moreelse Oil Paintings(1571, Utrecht - 6 March 1638, Utrecht) was a Dutch painter, mainly of portraits. Moreelse was a pupil of the Delft portrait painter Michiel Jansz. van Mierevelt, who had himself been a pupil of Anthonie van Blocklandt. He took a study-trip to Italy, where he received many portrait commissions. Back in Utrecht, in 1596 he became a member of the zadelaarsgilde, which was the traditional name in Utrecht for the Guild of Saint Luke. In 1611, along with Abraham Bloemaert, he was one of the founders of a new painters' guild, called "St. Lucas-gilde", and became its first deken. Moreelse was a well known portrait painter who received commissions from right across the Dutch Republic. His earliest work dates to 1606. Other than portraits, he also painted a few history paintings in the Mannerist style and in the 1620s produced pastoral scenes of herders and shepherds. He belonged to the same generation as Abraham Bloemaert and Joachim Wtewael, and like Wtewael he played an important role in the public life of their city. His version of Diana and Callisto was engraved by Jan Saenredam. In 1618, when the anti-remonstrants came to power in Utrecht, he was raadslid. |
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| Paulus Moreelse (1571, Utrecht - 6 March 1638, Utrecht) was a Dutch painter, mainly of portraits. Moreelse was a pupil of the Delft portrait painter Michiel Jansz. van Mierevelt, who had himself been a pupil of Anthonie van Blocklandt. He took a study-trip to Italy, where he received many portrait commissions. Back in Utrecht, in 1596 he became a member of the zadelaarsgilde, which was the traditional name in Utrecht for the Guild of Saint Luke. In 1611, along with Abraham Bloemaert, he was one of the founders of a new painters' guild, called "St. Lucas-gilde", and became its first deken. Moreelse was a well known portrait painter who received commissions from right across the Dutch Republic. His earliest work dates to 1606. Other than portraits, he also painted a few history paintings in the Mannerist style and in the 1620s produced pastoral scenes of herders and shepherds. He belonged to the same generation as Abraham Bloemaert and Joachim Wtewael, and like Wtewael he played an important role in the public life of their city. His version of Diana and Callisto was engraved by Jan Saenredam. In 1618, when the anti-remonstrants came to power in Utrecht, he was raadslid. |
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ID de tableau:: 82593 Sophia Hedwig, Countess of Nassau Dietz, with her Three Sons. Sophia Hedwig, Countess of Nassau Dietz, with her Three Sons. Date 1621(1621) Medium Oil on canvas cjr Date 1621(1621) Medium Oil on canvas cjr |
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ID de tableau:: 82835 Paulus Moreelse Paulus Moreelse Date 1625 cyf Date 1625 cyf |
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ID de tableau:: 83755 Vertumnus and Pomona Vertumnus and Pomona Date ca. 1630 (1586 - 1638) Medium Oil on canvas Dimensions 130 x 114 cm (51.2 x 44.9 in) cjr Date ca. 1630 (1586 - 1638) Medium Oil on canvas Dimensions 130 x 114 cm (51.2 x 44.9 in) cjr |
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ID de tableau:: 87671 Vertumnus and Pomona Vertumnus and Pomona 1630 (1586-1638) Medium Oil on canvas Dimensions 130 x 114 cm (51.2 x 44.9 in) cyf 1630 (1586-1638) Medium Oil on canvas Dimensions 130 x 114 cm (51.2 x 44.9 in) cyf |
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ID de tableau:: 88884 Democrite Democrite 1630(1630) Medium Oil on canvas cyf 1630(1630) Medium Oil on canvas cyf |
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Paulus Moreelse (1571, Utrecht - 6 March 1638, Utrecht) was a Dutch painter, mainly of portraits. Moreelse was a pupil of the Delft portrait painter Michiel Jansz. van Mierevelt, who had himself been a pupil of Anthonie van Blocklandt. He took a study-trip to Italy, where he received many portrait commissions. Back in Utrecht, in 1596 he became a member of the zadelaarsgilde, which was the traditional name in Utrecht for the Guild of Saint Luke. In 1611, along with Abraham Bloemaert, he was one of the founders of a new painters' guild, called "St. Lucas-gilde", and became its first deken. Moreelse was a well known portrait painter who received commissions from right across the Dutch Republic. His earliest work dates to 1606. Other than portraits, he also painted a few history paintings in the Mannerist style and in the 1620s produced pastoral scenes of herders and shepherds. He belonged to the same generation as Abraham Bloemaert and Joachim Wtewael, and like Wtewael he played an important role in the public life of their city. His version of Diana and Callisto was engraved by Jan Saenredam. In 1618, when the anti-remonstrants came to power in Utrecht, he was raadslid. |
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