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James Jacques Joseph Tissot (15 October 1836 - 8 August 1902) was a French painter, who spent much of his career in Britain. Tissot was born in Nantes, France. In about 1856, he began study at the École des Beaux-Arts in Paris under Hippolyte Flandrin and Lamothe, and became friendly with Edgar Degas and James Abbott McNeill Whistler. Tissot exhibited in the Paris Salon for the first time in 1859, two portraits of women and three scenes in medieval dress from Faust. The latter show the influence of the Belgian painter Henri Leys (Jan August Hendrik Leys), whom he had met in Antwerp in 1859. In the mid-1860s, however, Tissot began to concentrate on depicting women, often although not always shown in modern dress. Like contemporaries such as Alfred Stevens and Claude Monet, Tissot also explored japonisme, including Japanese objects and costumes in his pictures. A portrait of Tissot by Degas from these years (Metropolitan Museum of Art, New York) shows him with a Japanese screen hanging on the wall.
 


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     James Joseph Jacques Tissot
     James Jacques Joseph Tissot (15 October 1836 - 8 August 1902) was a French painter, who spent much of his career in Britain. Tissot was born in Nantes, France. In about 1856, he began study at the École des Beaux-Arts in Paris under Hippolyte Flandrin and Lamothe, and became friendly with Edgar Degas and James Abbott McNeill Whistler. Tissot exhibited in the Paris Salon for the first time in 1859, two portraits of women and three scenes in medieval dress from Faust. The latter show the influence of the Belgian painter Henri Leys (Jan August Hendrik Leys), whom he had met in Antwerp in 1859. In the mid-1860s, however, Tissot began to concentrate on depicting women, often although not always shown in modern dress. Like contemporaries such as Alfred Stevens and Claude Monet, Tissot also explored japonisme, including Japanese objects and costumes in his pictures. A portrait of Tissot by Degas from these years (Metropolitan Museum of Art, New York) shows him with a Japanese screen hanging on the wall.
 

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James Joseph Jacques Tissot Huile sur toile oil painting artist
  ID de tableau::   85543
Huile sur toile
Huile sur toile
oil on canvas cyf
oil on canvas cyf


 

James Joseph Jacques Tissot Too Early oil painting artist
  ID de tableau::   85741
Too Early
Too Early
1873(1873) Medium Oil on canvas cyf
1873(1873) Medium Oil on canvas cyf


 

James Joseph Jacques Tissot The Fatted Calf oil painting artist
  ID de tableau::   85802
The Fatted Calf
The Fatted Calf
1882 Medium Oil on canvas cyf
1882 Medium Oil on canvas cyf


 

James Joseph Jacques Tissot Marguerite in Church oil painting artist
  ID de tableau::   86243
Marguerite in Church
Marguerite in Church
1861(1861) Medium Oil on canvas Dimensions 50.2 x 75.5 cm (19.8 x 29.7 in) cyf
1861(1861) Medium Oil on canvas Dimensions 50.2 x 75.5 cm (19.8 x 29.7 in) cyf


 

James Joseph Jacques Tissot The Departure oil painting artist
  ID de tableau::   86590
The Departure
The Departure
1882 Medium Oil on canvas cyf
1882 Medium Oil on canvas cyf


 

       précédent  1  2  3  4   prochain
Artiste précédent       Artiste prochain     

     James Joseph Jacques Tissot
    James Jacques Joseph Tissot (15 October 1836 - 8 August 1902) was a French painter, who spent much of his career in Britain. Tissot was born in Nantes, France. In about 1856, he began study at the École des Beaux-Arts in Paris under Hippolyte Flandrin and Lamothe, and became friendly with Edgar Degas and James Abbott McNeill Whistler. Tissot exhibited in the Paris Salon for the first time in 1859, two portraits of women and three scenes in medieval dress from Faust. The latter show the influence of the Belgian painter Henri Leys (Jan August Hendrik Leys), whom he had met in Antwerp in 1859. In the mid-1860s, however, Tissot began to concentrate on depicting women, often although not always shown in modern dress. Like contemporaries such as Alfred Stevens and Claude Monet, Tissot also explored japonisme, including Japanese objects and costumes in his pictures. A portrait of Tissot by Degas from these years (Metropolitan Museum of Art, New York) shows him with a Japanese screen hanging on the wall.

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