Jean-Baptiste Camille Corot Huiler la Reproduction de TableauAll Jean-Baptiste Camille Corot Oil Paintings(July 17, 1796 - February 22, 1875) was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism. |
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| Jean-Baptiste Camille Corot (July 17, 1796 - February 22, 1875) was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism. |
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ID de tableau:: 90194 Teich von Ville-d'Avray Teich von Ville-d'Avray 1873(1873) Medium oil on canvas Dimensions 43 x 80 cm (16.9 x 31.5 in) cjr 1873(1873) Medium oil on canvas Dimensions 43 x 80 cm (16.9 x 31.5 in) cjr |
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ID de tableau:: 90248 Wald von Fontainebleau Wald von Fontainebleau 1830-1835 Medium oil on canvas Dimensions 48 x 59 cm cjr 1830-1835 Medium oil on canvas Dimensions 48 x 59 cm cjr |
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ID de tableau:: 90444 The Letter The Letter 1865-70 Medium Oil on wood Dimensions 54 x 36 cm (21.3 x 14.2 in) cyf 1865-70 Medium Oil on wood Dimensions 54 x 36 cm (21.3 x 14.2 in) cyf |
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ID de tableau:: 90921 Juive d'Alger Juive d'Alger Oil on canvas Dimensions 44.5 x 35.6 cm cyf Oil on canvas Dimensions 44.5 x 35.6 cm cyf |
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ID de tableau:: 90935 Een straat in Ville d'Avray Een straat in Ville d'Avray oil on canvas cjr oil on canvas cjr |
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Jean-Baptiste Camille Corot (July 17, 1796 - February 22, 1875) was a French landscape painter and printmaker in etching. Corot was the leading painter of the Barbizon school of France in the mid-nineteenth century. He is a pivotal figure in landscape painting and his vast output simultaneously references the Neo-Classical tradition and anticipates the plein-air innovations of Impressionism. |
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