Adriaen Brouwer Huiler la Reproduction de TableauAll Adriaen Brouwer Oil Paintings(1605 - January 1638) was a Flemish genre painter active in Flanders and the Dutch Republic in the seventeenth century. At a young age Brouwer, probably born as Adriaen de Brauwer in Oudenaarde, moved perhaps via Antwerp to Haarlem, where he became a student of Frans Hals alongside Adriaen van Ostade. He also was active in stage acting and poetry. He stayed in Haarlem and Amsterdam until 1631, when he moved back to Antwerp in the Spanish Netherlands. There, he became a member of the Guild of St. Luke in 1631-1632, as well as the rhetoricians's chamber De Violieren. Tradition has it that Brouwer himself spent much time in the alehouses of Flanders and Holland. His works are typically detailed and small, and often adopt themes of debauchery, drunkenness and foolishness in order to explore human emotions, expressions and responses to pain, fear and the senses. The Bitter Tonic is an example of the type of work that depicts such responses, in this case the sense of taste. His work was well liked, to the point that forgeries were sold in his own time. Both Rubens and Rembrandt owned a number of his works. Nevertheless, Brouwer appeared in financial trouble throughout his life. He died at the early age of 32 in Antwerp, where he was first buried in a common grave. |
|||
 |
|
||
|
|
|||
|
||||||||||||
| Adriaen Brouwer (1605 - January 1638) was a Flemish genre painter active in Flanders and the Dutch Republic in the seventeenth century. At a young age Brouwer, probably born as Adriaen de Brauwer in Oudenaarde, moved perhaps via Antwerp to Haarlem, where he became a student of Frans Hals alongside Adriaen van Ostade. He also was active in stage acting and poetry. He stayed in Haarlem and Amsterdam until 1631, when he moved back to Antwerp in the Spanish Netherlands. There, he became a member of the Guild of St. Luke in 1631-1632, as well as the rhetoricians's chamber De Violieren. Tradition has it that Brouwer himself spent much time in the alehouses of Flanders and Holland. His works are typically detailed and small, and often adopt themes of debauchery, drunkenness and foolishness in order to explore human emotions, expressions and responses to pain, fear and the senses. The Bitter Tonic is an example of the type of work that depicts such responses, in this case the sense of taste. His work was well liked, to the point that forgeries were sold in his own time. Both Rubens and Rembrandt owned a number of his works. Nevertheless, Brouwer appeared in financial trouble throughout his life. He died at the early age of 32 in Antwerp, where he was first buried in a common grave. |
||||||||||||
|
|
||||||||||||
|
ID de tableau:: 87801 The Bitter Draught The Bitter Draught 1635(1635) Medium Oil on wood cyf 1635(1635) Medium Oil on wood cyf |
|||||||||||
|
|
||||||||||||
|
ID de tableau:: 88551 In the Tavern In the Tavern first half of 17th century Medium Oil on wood cyf first half of 17th century Medium Oil on wood cyf |
|||||||||||
|
|
||||||||||||
|
ID de tableau:: 88705 Youth Making a Face Youth Making a Face Oil on panel Dimensions 13.7 x 10.5 cm (5.4 x 4.1 in cyf Oil on panel Dimensions 13.7 x 10.5 cm (5.4 x 4.1 in cyf |
|||||||||||
|
|
||||||||||||
|
ID de tableau:: 88832 Kartenspielende Bauern in einer Schenke Kartenspielende Bauern in einer Schenke 1630- 1640 Medium Oil on wood Dimensions 33 x 43 cm (13 x 16.9 in) cyf 1630- 1640 Medium Oil on wood Dimensions 33 x 43 cm (13 x 16.9 in) cyf |
|||||||||||
|
|
||||||||||||
|
ID de tableau:: 90261 Musicerend gezelschap Musicerend gezelschap between 1620(1620) and 1750(1750) Medium oil on panel Dimensions 39 x 26 cm (15.4 x 10.2 in) cjr between 1620(1620) and 1750(1750) Medium oil on panel Dimensions 39 x 26 cm (15.4 x 10.2 in) cjr |
|||||||||||
|
|
||||||||||||
| Artiste précédent Artiste prochain | ||||||||||||
|
|
||||||||||||
|
Adriaen Brouwer (1605 - January 1638) was a Flemish genre painter active in Flanders and the Dutch Republic in the seventeenth century. At a young age Brouwer, probably born as Adriaen de Brauwer in Oudenaarde, moved perhaps via Antwerp to Haarlem, where he became a student of Frans Hals alongside Adriaen van Ostade. He also was active in stage acting and poetry. He stayed in Haarlem and Amsterdam until 1631, when he moved back to Antwerp in the Spanish Netherlands. There, he became a member of the Guild of St. Luke in 1631-1632, as well as the rhetoricians's chamber De Violieren. Tradition has it that Brouwer himself spent much time in the alehouses of Flanders and Holland. His works are typically detailed and small, and often adopt themes of debauchery, drunkenness and foolishness in order to explore human emotions, expressions and responses to pain, fear and the senses. The Bitter Tonic is an example of the type of work that depicts such responses, in this case the sense of taste. His work was well liked, to the point that forgeries were sold in his own time. Both Rubens and Rembrandt owned a number of his works. Nevertheless, Brouwer appeared in financial trouble throughout his life. He died at the early age of 32 in Antwerp, where he was first buried in a common grave. |
||||||||||||
|
|
||||||||||||
|
CONTACTER DES Etats-Unis |