Domenico Ghirlandaio Huiler la Reproduction de TableauAll Domenico Ghirlandaio Oil PaintingsItalian 1449-1494 Domenico Ghirlandaio Galleries |
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| Domenico Ghirlandaio Italian 1449-1494 Domenico Ghirlandaio Galleries |
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ID de tableau:: 58156 Its image Its image the mk261 Florence, the Ukrainian Fiji art museum, in 1890 numbered 602. the mk261 Florence, the Ukrainian Fiji art museum, in 1890 numbered 602. |
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ID de tableau:: 59052 An Old Man and His Grandson An Old Man and His Grandson An Old Man and His Grandson (ca. 1490) Tempera on wood, 62 x 46 cm. Louvre, Paris An Old Man and His Grandson (ca. 1490) Tempera on wood, 62 x 46 cm. Louvre, Paris |
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ID de tableau:: 59053 Portrait of a Young Woman Portrait of a Young Woman Portrait of a Young Woman Portrait of a Young Woman |
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ID de tableau:: 59054 Supposed self portrait in Adoration of the Magi Supposed self portrait in Adoration of the Magi Supposed self-portrait in Adoration of the Magi, 1488 (Ospedale degli Innocenti, Florence Supposed self-portrait in Adoration of the Magi, 1488 (Ospedale degli Innocenti, Florence |
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ID de tableau:: 62402 Study Study 220 x 170 mm Galleria degli Uffizi, Florence The picture shows a study to the fresco of the Birth of Mary executed in the Cappella Tornabuoni of the Santa Maria Novella in Florence. The only figure in the fresco who conveys any sense of movement is the servant pouring water into a brass basin for the child to bathe in. Ghirlandaio prepared for the painting by drawing this detailed individual study. The cloth fluttering behind her is lower in the fresco than here, in order not to obstruct our view of Anne. The sleeves were also altered at her elbows. The cross-hatching and the strong contours so typical of Ghirlandaio's style of drawing are clearly recognizable 220 x 170 mm Galleria degli Uffizi, Florence The picture shows a study to the fresco of the Birth of Mary executed in the Cappella Tornabuoni of the Santa Maria Novella in Florence. The only figure in the fresco who conveys any sense of movement is the servant pouring water into a brass basin for the child to bathe in. Ghirlandaio prepared for the painting by drawing this detailed individual study. The cloth fluttering behind her is lower in the fresco than here, in order not to obstruct our view of Anne. The sleeves were also altered at her elbows. The cross-hatching and the strong contours so typical of Ghirlandaio's style of drawing are clearly recognizable |
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Domenico Ghirlandaio Italian 1449-1494 Domenico Ghirlandaio Galleries |
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