Almeida Junior Huiler la Reproduction de Tableau


All Almeida Junior Oil Paintings

(8 May 1850 ?C 13 November 1899) was a Brazilian painter of the 19th century. He is widely regarded as the most important Brazilian realist painter of the 19th century, and a major inspiration for the modernist painters. While most Brazilian academic artists made their fame painting mythological or historical subjects, Almeida Junior would become popular for painting rural figures, especially farmers and the caipira, the countrymen that are a kind of a symbol of the rural areas of the São Paulo state. While most realist painters used farmers and countrymen as an allegory of workers, Almeida Junior would paint his caipiras mostly on leisure time. He would also produce touching images of upscale landowners. The Bandeirantes, the ruthless explorers of colonial Brazil, would be depicted in the A partida da monção, showing an expedition on the Tiet?? River. Almeida Junior was born in the city of Itu, then a small town in the state of São Paulo. After becoming a sensation in his town he would be invited to study in the Brazilian Imperial Fine Arts Academy of Rio de Janeiro, but in 1876 would study in France after being granted a scholarship by emperor Pedro II of Brazil in person in the city of Moji-Mirim. He would have Alexandre Cabanel as one of his masters. He admired the French realist and naturalist painting (a major influence at his work), and, after returning to Brazil in 1882, became of the leading names in Brazilian realist painting. He was stabbed to death by the husband of his mistress on November 13, 1899 in Piracicaba.
 


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     Almeida Junior
      (8 May 1850 ?C 13 November 1899) was a Brazilian painter of the 19th century. He is widely regarded as the most important Brazilian realist painter of the 19th century, and a major inspiration for the modernist painters. While most Brazilian academic artists made their fame painting mythological or historical subjects, Almeida Junior would become popular for painting rural figures, especially farmers and the caipira, the countrymen that are a kind of a symbol of the rural areas of the São Paulo state. While most realist painters used farmers and countrymen as an allegory of workers, Almeida Junior would paint his caipiras mostly on leisure time. He would also produce touching images of upscale landowners. The Bandeirantes, the ruthless explorers of colonial Brazil, would be depicted in the A partida da monção, showing an expedition on the Tiet?? River. Almeida Junior was born in the city of Itu, then a small town in the state of São Paulo. After becoming a sensation in his town he would be invited to study in the Brazilian Imperial Fine Arts Academy of Rio de Janeiro, but in 1876 would study in France after being granted a scholarship by emperor Pedro II of Brazil in person in the city of Moji-Mirim. He would have Alexandre Cabanel as one of his masters. He admired the French realist and naturalist painting (a major influence at his work), and, after returning to Brazil in 1882, became of the leading names in Brazilian realist painting. He was stabbed to death by the husband of his mistress on November 13, 1899 in Piracicaba.
 

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Almeida Junior Models rest oil painting artist
  ID de tableau::   86056
Models rest
Models rest
1882(1882) Medium Oil on canvas Dimensions 98 x 131 cm (38.6 x 51.6 in) cyf
1882(1882) Medium Oil on canvas Dimensions 98 x 131 cm (38.6 x 51.6 in) cyf


 

Almeida Junior Victorino Carmilo oil painting artist
  ID de tableau::   87261
Victorino Carmilo
Victorino Carmilo
1890(1890) Medium Oil on canvas Dimensions 232.9 x 141.3 cm (91.7 x 55.6 in) cyf
1890(1890) Medium Oil on canvas Dimensions 232.9 x 141.3 cm (91.7 x 55.6 in) cyf


 

Almeida Junior Arredores do Louvre oil painting artist
  ID de tableau::   90340
Arredores do Louvre
Arredores do Louvre
1880(1880) Medium oil on canvas Dimensions 36 x 54 cm (14.2 x 21.3 in) cyf
1880(1880) Medium oil on canvas Dimensions 36 x 54 cm (14.2 x 21.3 in) cyf


 

Almeida Junior Allegory oil painting artist
  ID de tableau::   92469
Allegory
Allegory
Date 1892 Medium oil on canvas Dimensions 250 X 125 cm (98.4 X 49.2 in)
Date 1892 Medium oil on canvas Dimensions 250 X 125 cm (98.4 X 49.2 in)


 

Almeida Junior Almeida Junior, Self-portrait oil painting artist
  ID de tableau::   93815
Almeida Junior, Self-portrait
Almeida Junior, Self-portrait
1878 Medium oil on canvas Dimensions 16.14 x 12.79 in (41 x 32.5 cm) cjr
1878 Medium oil on canvas Dimensions 16.14 x 12.79 in (41 x 32.5 cm) cjr


 

       précédent  4  5  6  7  8  9  10   prochain
Artiste précédent       Artiste prochain     

     Almeida Junior
     (8 May 1850 ?C 13 November 1899) was a Brazilian painter of the 19th century. He is widely regarded as the most important Brazilian realist painter of the 19th century, and a major inspiration for the modernist painters. While most Brazilian academic artists made their fame painting mythological or historical subjects, Almeida Junior would become popular for painting rural figures, especially farmers and the caipira, the countrymen that are a kind of a symbol of the rural areas of the São Paulo state. While most realist painters used farmers and countrymen as an allegory of workers, Almeida Junior would paint his caipiras mostly on leisure time. He would also produce touching images of upscale landowners. The Bandeirantes, the ruthless explorers of colonial Brazil, would be depicted in the A partida da monção, showing an expedition on the Tiet?? River. Almeida Junior was born in the city of Itu, then a small town in the state of São Paulo. After becoming a sensation in his town he would be invited to study in the Brazilian Imperial Fine Arts Academy of Rio de Janeiro, but in 1876 would study in France after being granted a scholarship by emperor Pedro II of Brazil in person in the city of Moji-Mirim. He would have Alexandre Cabanel as one of his masters. He admired the French realist and naturalist painting (a major influence at his work), and, after returning to Brazil in 1882, became of the leading names in Brazilian realist painting. He was stabbed to death by the husband of his mistress on November 13, 1899 in Piracicaba.

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