(born Niko Pirosmanashvili; May 5, 1862-1918) was a Georgian primitivist painter.
Pirosmani was born in the Georgian village of Mirzaani to a pleasant family in the Kakheti province. His family owned a small vineyard. He was later orphaned and put in the care of his two elder sisters. He moved with them to Tbilisi in 1870. In 1872 he worked as a servant for wealthy families and learned to read and write Russian and Georgian. In 1876 he returned to Mirzaani and worked as a herdsman.
Pirosmani gradually taught himself to paint. One of his specialties was painting directly into black oilcloth. In 1882 he opened a workshop in Tbilisi which was unsuccessful. In 1890 he worked as a railroad conductor, and in 1895 worked creating signboards. In 1893 he co-founded a dairy farm in Tbilisi which he left in 1901. Throughout his life Pirosmani, who was always poor, was willing to take up ordinary jobs including housepainting and whitewashing buildings. Although his paintings had some local popularity (about 200 survive) his relationship with professional artists remained uneasy; making a living was always more important to him than abstract aesthetics.
Niko Pirosmanashvili (born Niko Pirosmanashvili; May 5, 1862-1918) was a Georgian primitivist painter.
Pirosmani was born in the Georgian village of Mirzaani to a pleasant family in the Kakheti province. His family owned a small vineyard. He was later orphaned and put in the care of his two elder sisters. He moved with them to Tbilisi in 1870. In 1872 he worked as a servant for wealthy families and learned to read and write Russian and Georgian. In 1876 he returned to Mirzaani and worked as a herdsman.
Pirosmani gradually taught himself to paint. One of his specialties was painting directly into black oilcloth. In 1882 he opened a workshop in Tbilisi which was unsuccessful. In 1890 he worked as a railroad conductor, and in 1895 worked creating signboards. In 1893 he co-founded a dairy farm in Tbilisi which he left in 1901. Throughout his life Pirosmani, who was always poor, was willing to take up ordinary jobs including housepainting and whitewashing buildings. Although his paintings had some local popularity (about 200 survive) his relationship with professional artists remained uneasy; making a living was always more important to him than abstract aesthetics.
ID de tableau:: 96068 The Russo-Japanese War The Russo-Japanese War
131 x 103 cm (51.6 x 40.6 in)
Oil painting on oilcloth
pre 1919
cjr 131 x 103 cm (51.6 x 40.6 in)
Oil painting on oilcloth
pre 1919
cjr
ID de tableau:: 96070 Kakhetian Epos - Alasan Valley Kakhetian Epos - Alasan Valley
1895-1906
Medium Oil painting on oilcloth
cjr 1895-1906
Medium Oil painting on oilcloth
cjr
ID de tableau:: 96188 Walking Gazelle Walking Gazelle
62 X 55 cm (24.4 X 21.7 in)
c. 1909
Medium English: Oil painting on oilcloth
cjr 62 X 55 cm (24.4 X 21.7 in)
c. 1909
Medium English: Oil painting on oilcloth
cjr
ID de tableau:: 96272 A Doe Walking A Doe Walking
68 X 82 cm (26.8 X 32.3 in)
Oil painting on cardboard
1900s(1900s)
cjr 68 X 82 cm (26.8 X 32.3 in)
Oil painting on cardboard
1900s(1900s)
cjr
ID de tableau:: 96273 Organ-Grinder Organ-Grinder
pre 1919
Medium oil on oilcloth
Dimensions 47 X 107 cm (18.5 X 42.1 in)
cjr pre 1919
Medium oil on oilcloth
Dimensions 47 X 107 cm (18.5 X 42.1 in)
cjr