HOLBEIN, Hans the Younger Huiler la Reproduction de TableauAll HOLBEIN, Hans the Younger Oil PaintingsGerman painter (b. 1497, Augsburg, d. 1543, London). |
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| HOLBEIN, Hans the Younger German painter (b. 1497, Augsburg, d. 1543, London). |
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ID de tableau:: 52046 Portrait of Jane Pemberton Portrait of Jane Pemberton c. 1540 Vellum mounted on playing card, diameter 5,3 cm c. 1540 Vellum mounted on playing card, diameter 5,3 cm |
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ID de tableau:: 52189 The Solothurn Madonna The Solothurn Madonna 1522 Limewood, 140,5 x 102 cm 1522 Limewood, 140,5 x 102 cm |
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ID de tableau:: 52193 St Barbara St Barbara 1516 Wood, 150 x 47 cm 1516 Wood, 150 x 47 cm |
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ID de tableau:: 52593 Signboard for a Schoolmaster Signboard for a Schoolmaster 1516 Pine panel 1516 Pine panel |
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ID de tableau:: 63706 Diptych with Christ and the Mater Dolorosa Diptych with Christ and the Mater Dolorosa 1520 Limewood, 29 x 19.5 cm (each panel) Kunstmuseum, ?ffentliche Kunstsammlung, Basle Jesus sits exhausted on the plinth of an aedicula decorated in the style of the Italian Renaissance. In contrast to His strong, muscular body, Jesus' face is ravaged by the strains of the Passion, arousing pity in the beholder, who is also summoned to devotion by Mary's gesture towards her Son and by her pain-stricken gaze. Though Jesus wears a large crown of thorns, indicating that the Via Crucis (the Way of the Cross) has begun, the wounds are absent, so that the Crucifixion still lies in the future; he is not yet the Man of Sorrows. The architecture indicates Pilate's palace. Holbein has removed the figures from the scenic setting of the Biblical story and turned the tortured Christ into the main figure of a devotional picture.Artist:HOLBEIN, Hans the Younger Title: Diptych with Christ and the Mater Dolorosa Painted in 1501-1550 , German - - painting : religious 1520 Limewood, 29 x 19.5 cm (each panel) Kunstmuseum, ?ffentliche Kunstsammlung, Basle Jesus sits exhausted on the plinth of an aedicula decorated in the style of the Italian Renaissance. In contrast to His strong, muscular body, Jesus' face is ravaged by the strains of the Passion, arousing pity in the beholder, who is also summoned to devotion by Mary's gesture towards her Son and by her pain-stricken gaze. Though Jesus wears a large crown of thorns, indicating that the Via Crucis (the Way of the Cross) has begun, the wounds are absent, so that the Crucifixion still lies in the future; he is not yet the Man of Sorrows. The architecture indicates Pilate's palace. Holbein has removed the figures from the scenic setting of the Biblical story and turned the tortured Christ into the main figure of a devotional picture.Artist:HOLBEIN, Hans the Younger Title: Diptych with Christ and the Mater Dolorosa Painted in 1501-1550 , German - - painting : religious |
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HOLBEIN, Hans the Younger German painter (b. 1497, Augsburg, d. 1543, London). |
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