GRECO, El Huiler la Reproduction de TableauAll GRECO, El Oil PaintingsGreek-born Spanish Mannerist Painter, 1541-1614 |
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| GRECO, El Greek-born Spanish Mannerist Painter, 1541-1614 |
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ID de tableau:: 43800 The Coronation of the Virgin The Coronation of the Virgin 1591 Oil on canvas, 90 x 100 cm 1591 Oil on canvas, 90 x 100 cm |
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ID de tableau:: 43801 St Louis, King of France, with a Page St Louis, King of France, with a Page 1592-95 Oil on canvas, 120 x 96 cm 1592-95 Oil on canvas, 120 x 96 cm |
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ID de tableau:: 43802 St Andrew and St Francis St Andrew and St Francis 1595 Oil on canvas, 167 x 113 cm 1595 Oil on canvas, 167 x 113 cm |
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ID de tableau:: 62300 St Francis and Brother St Francis and Brother 230 x 148 mm Biblioteca Nacional, Madrid This engraving was made after a painting by El Greco (now in the National Gallery of Canada, Ottawa). Prints played a key role in religious propaganda. In the Hispanic world, it was Dutch artists who performed this task. As a result, Spain lacked skilled engravers who might have reproduced El Greco's work for a larger audience 230 x 148 mm Biblioteca Nacional, Madrid This engraving was made after a painting by El Greco (now in the National Gallery of Canada, Ottawa). Prints played a key role in religious propaganda. In the Hispanic world, it was Dutch artists who performed this task. As a result, Spain lacked skilled engravers who might have reproduced El Greco's work for a larger audience |
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ID de tableau:: 62327 The Purification of the Temple after The Purification of the Temple after 106 x 104 cm Parish Church of San Gin?s, Madrid This version of the subject dates from the last years of El Greco's career. It is assumed that the painting was partly executed by Jorge Manuel. However, it bears El Greco's signature and its quality is very high. The painting is very close to the version in the National Gallery in London. The most remarkable changes relate to the architectural setting. El Greco shifted the action from the Temple porch to the inner sanctuary. At the centre of the structure supporting the altarpiece is a tomb-like object with an obelisk. On the left there is a relief of the Expulsion of Adam and Eve, and above it a statue of a naked male figure who has been variously identified as Adam, his son Seth or an unidentified idol. The changes introduced into this version indicate El Greco's continuing reflection of the subject. He continued to add layers of interpretation to the end of his career 106 x 104 cm Parish Church of San Gin?s, Madrid This version of the subject dates from the last years of El Greco's career. It is assumed that the painting was partly executed by Jorge Manuel. However, it bears El Greco's signature and its quality is very high. The painting is very close to the version in the National Gallery in London. The most remarkable changes relate to the architectural setting. El Greco shifted the action from the Temple porch to the inner sanctuary. At the centre of the structure supporting the altarpiece is a tomb-like object with an obelisk. On the left there is a relief of the Expulsion of Adam and Eve, and above it a statue of a naked male figure who has been variously identified as Adam, his son Seth or an unidentified idol. The changes introduced into this version indicate El Greco's continuing reflection of the subject. He continued to add layers of interpretation to the end of his career |
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GRECO, El Greek-born Spanish Mannerist Painter, 1541-1614 |
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