RUBENS, Pieter Pauwel Huiler la Reproduction de TableauAll RUBENS, Pieter Pauwel Oil PaintingsFlemish Baroque Era Painter, 1577-1640 |
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| RUBENS, Pieter Pauwel Flemish Baroque Era Painter, 1577-1640 |
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ID de tableau:: 64708 Virgin and Child Enthroned with Saints Virgin and Child Enthroned with Saints 1627-8 Oil on wood, 80.2 x 55.5 cm Staatliche Museen, Berlin This is a sketch for a large altar painting. Artist:RUBENS, Pieter Pauwel Title: Virgin and Child Enthroned with Saints, 1601-1650, Flemish , painting , religious 1627-8 Oil on wood, 80.2 x 55.5 cm Staatliche Museen, Berlin This is a sketch for a large altar painting. Artist:RUBENS, Pieter Pauwel Title: Virgin and Child Enthroned with Saints, 1601-1650, Flemish , painting , religious |
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ID de tableau:: 64709 Madonna in Floral Wreath Madonna in Floral Wreath 1620 Oil on oak, 185 x 209,8 cm Alte Pinakothek, Munich Religious flower still-lifes are a special category, first developed by the Fleming Daniel Seghers, a pupil of Jan Brueghel the Elder. However, this can be traced back to Rubens's Madonna in Floral Wreath (in which the floral decoration was painted by Jan Brueghel the Elder). This represents a picture within a picture with an authoritative religious significance, encircled by a floral arrangement and cherubs. Unlike Seghers, however, Rubens did not quote Mary and Jesus as historical traditions or pictorial relics. Instead he preferred to give the impression that they were physically present, even though the motif of a picture within a picture would have been ideally suited for illusionist stylization. Artist:RUBENS, Pieter Pauwel Title: Madonna in Floral Wreath, 1601-1650, Flemish , painting , religious 1620 Oil on oak, 185 x 209,8 cm Alte Pinakothek, Munich Religious flower still-lifes are a special category, first developed by the Fleming Daniel Seghers, a pupil of Jan Brueghel the Elder. However, this can be traced back to Rubens's Madonna in Floral Wreath (in which the floral decoration was painted by Jan Brueghel the Elder). This represents a picture within a picture with an authoritative religious significance, encircled by a floral arrangement and cherubs. Unlike Seghers, however, Rubens did not quote Mary and Jesus as historical traditions or pictorial relics. Instead he preferred to give the impression that they were physically present, even though the motif of a picture within a picture would have been ideally suited for illusionist stylization. Artist:RUBENS, Pieter Pauwel Title: Madonna in Floral Wreath, 1601-1650, Flemish , painting , religious |
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ID de tableau:: 64710 Perseus Liberating Andromeda Perseus Liberating Andromeda 1639-40 Oil on canvas, 265 x 160 cm Museo del Prado, Madrid This is a late work of Rubens. The unfinished painting was finished by Jacob Jordaens. Artist:RUBENS, Pieter Pauwel Title: Perseus Liberating Andromeda, 1601-1650, Flemish , painting , mythological 1639-40 Oil on canvas, 265 x 160 cm Museo del Prado, Madrid This is a late work of Rubens. The unfinished painting was finished by Jacob Jordaens. Artist:RUBENS, Pieter Pauwel Title: Perseus Liberating Andromeda, 1601-1650, Flemish , painting , mythological |
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ID de tableau:: 64711 Portrait of a Woman Portrait of a Woman Oil on canvas Mus?e des Beaux-Arts, Marseille Artist:RUBENS, Pieter Pauwel Title: Portrait of a Woman, 1601-1650, Flemish , painting , portrait Oil on canvas Mus?e des Beaux-Arts, Marseille Artist:RUBENS, Pieter Pauwel Title: Portrait of a Woman, 1601-1650, Flemish , painting , portrait |
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RUBENS, Pieter Pauwel Flemish Baroque Era Painter, 1577-1640 |
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CONTACTER DES Etats-Unis |