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EYCK, Jan van Flemish Northern Renaissance Painter, ca.1395-1441 |
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ID de tableau:: 63086 Annunciation Annunciation
1436 Oil on wood, 39 x 24 cm Thyssen-Bornemisza Collection, Madrid The panel depicting in grisaille the Virgin Annunciate is one of the wings of a small portable diptych. The other wing representing the Angel Annunciating is in the same museum. Artist: EYCK, Jan van Painting Title: Annunciation , 1401-1450 Painting Style: Flemish , , religious 1436 Oil on wood, 39 x 24 cm Thyssen-Bornemisza Collection, Madrid The panel depicting in grisaille the Virgin Annunciate is one of the wings of a small portable diptych. The other wing representing the Angel Annunciating is in the same museum. Artist: EYCK, Jan van Painting Title: Annunciation , 1401-1450 Painting Style: Flemish , , religious
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ID de tableau:: 63916 The Madonna with Canon van der Paele The Madonna with Canon van der Paele
1436 Oil on wood, width of detail: 47 cm Groeninge Museum, Bruges The bald wrinkled head of the old canon is an impressive exercise in psychological analysis.Artist:EYCK, Jan van Title: The Madonna with Canon van der Paele (detail) Painted in 1401-1450 , Flemish - - painting : religious 1436 Oil on wood, width of detail: 47 cm Groeninge Museum, Bruges The bald wrinkled head of the old canon is an impressive exercise in psychological analysis.Artist:EYCK, Jan van Title: The Madonna with Canon van der Paele (detail) Painted in 1401-1450 , Flemish - - painting : religious
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ID de tableau:: 63917 The Madonna with Canon van der Paele The Madonna with Canon van der Paele
1436 Oil on wood, width of details: 7,5 cm (each) Groeninge Museum, Bruges The picture shows some architectural details of the painting. The reliefs and sculptures on the capitals in the background and on the Virgin's throne all allude to Christ's salvation of humanity. The depictions on the throne of Adam and Eve, Cain killing Abel, and Samson fighting the lion, together with the depiction on the capitals of Abraham sacrificing Isaac, create an Old Testament framework which allows the observer to reflect on the mercy of God, who sent his son, Christ the Redeemer, into the world. Redemption from sin (Cain killing his brother) is possible only through the power of faith (Samson overpowering the lion). The goodness and grace of God "at the moment of truth" (Abraham sacrificing Isaac) serves as proof of the redeeming power and presence of servants of God both celestial (St. George) and mortal (Canon van der Paele).Artist:EYCK, Jan van Title: The Madonna with Canon van der Paele (details) Painted in 1401-1450 , Flemish - - painting : religious 1436 Oil on wood, width of details: 7,5 cm (each) Groeninge Museum, Bruges The picture shows some architectural details of the painting. The reliefs and sculptures on the capitals in the background and on the Virgin's throne all allude to Christ's salvation of humanity. The depictions on the throne of Adam and Eve, Cain killing Abel, and Samson fighting the lion, together with the depiction on the capitals of Abraham sacrificing Isaac, create an Old Testament framework which allows the observer to reflect on the mercy of God, who sent his son, Christ the Redeemer, into the world. Redemption from sin (Cain killing his brother) is possible only through the power of faith (Samson overpowering the lion). The goodness and grace of God "at the moment of truth" (Abraham sacrificing Isaac) serves as proof of the redeeming power and presence of servants of God both celestial (St. George) and mortal (Canon van der Paele).Artist:EYCK, Jan van Title: The Madonna with Canon van der Paele (details) Painted in 1401-1450 , Flemish - - painting : religious
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ID de tableau:: 64768 The Ghent Altarpiece The Ghent Altarpiece
1432 Oil on wood Cathedral of St Bavo, Ghent The detail shows Isabelle Borluut, wife of Jodocus Vyd, the donor of the Ghent Altarpiece. , EYCK, Jan van , The Ghent Altarpiece: The Donor's Wife (detail) , 1401-1450 , Flemish , painting , portrait 1432 Oil on wood Cathedral of St Bavo, Ghent The detail shows Isabelle Borluut, wife of Jodocus Vyd, the donor of the Ghent Altarpiece. , EYCK, Jan van , The Ghent Altarpiece: The Donor's Wife (detail) , 1401-1450 , Flemish , painting , portrait
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ID de tableau:: 64769 The Ghent Altarpiece: The Holy Hermits The Ghent Altarpiece: The Holy Hermits
1427-30 Oil on wood, 148,6 x 53,9 cm Cathedral of St Bavo, Ghent Opposite to the Soldiers of Christ and the Just Judges are the Holy Hermits who have renounced the world. , EYCK, Jan van , The Ghent Altarpiece: The Holy Hermits , 1401-1450 , Flemish , painting , religious 1427-30 Oil on wood, 148,6 x 53,9 cm Cathedral of St Bavo, Ghent Opposite to the Soldiers of Christ and the Just Judges are the Holy Hermits who have renounced the world. , EYCK, Jan van , The Ghent Altarpiece: The Holy Hermits , 1401-1450 , Flemish , painting , religious
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| Artiste précédent Artiste prochain
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EYCK, Jan van Flemish Northern Renaissance Painter, ca.1395-1441
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