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 GRECO, El
 Greek-born Spanish Mannerist Painter, 1541-1614
 

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GRECO, El The Entombment of Christ late oil painting on canvas

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The Entombment of Christ late
51,5 x 43 cm Alexandros Soutzos Museum, Athens This painting is one of the most attractive pictures of El Greco's Venetian period. The artist's barely disguised borrowings from Italian prints (e.g. the three Marys from a print of the Entombment by Parmigianino) are a notable feature of his Cretan- and Italian period pictures and reflect his formation as a painter in the post-Byzantine tradition accustomed to working from established compositional patterns. Author: GRECO, El Title: The Entombment of Christ , 1551-1600 , Spanish Form: painting , religious
Greek-born Spanish Mannerist Painter, 1541-1614
ID de tableau::  62346




GRECO, El
Greek-born Spanish Mannerist Painter, 1541-1614
The_Entombment_of_Christ_late
51,5 x 43 cm Alexandros Soutzos Museum, Athens This painting is one of the most attractive pictures of El Greco's Venetian period. The artist's barely disguised borrowings from Italian prints (e.g. the three Marys from a print of the Entombment by Parmigianino) are a notable feature of his Cretan- and Italian period pictures and reflect his formation as a painter in the post-Byzantine tradition accustomed to working from established compositional patterns. Author: GRECO, El Title: The Entombment of Christ , 1551-1600 , Spanish Form: painting , religious
51,5 x 43 cm Alexandros Soutzos Museum, Athens This painting is one of the most attractive pictures of El Greco's Venetian period. The artist's barely disguised borrowings from Italian prints (e.g. the three Marys from a print of the Entombment by Parmigianino) are a notable feature of his Cretan- and Italian period pictures and reflect his formation as a painter in the post-Byzantine tradition accustomed to working from established compositional patterns. Author: GRECO, El Title: The Entombment of Christ , 1551-1600 , Spanish Form: painting , religious

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| Margit | madame cezanne in a red armcbair | Portrait of an old man with Beard (nn04) | Vue du Port de Ripetta, a Rome | L'ORIGINE DE LA SCULPTURE, OU PYGMALION PRIANT VENUS D'ANIMER SA STATUE |


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