La Peinture à l'huile en gros de Chine & Encadre
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Le déclic pour Agrandir
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Dolorosa
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1755 Painted wood Iglesia de Jesus, Murcia The mundane rhetoric in the works of Francisco Salzillo (also spelled Zarcillo) might be interpreted as the expression of a decadence of religious feeling; but in fact it springs from a deep-rooted faith. While yet a child, Francisco Salzillo entered a Dominican monastery as a novice. When he was twenty, he left the monastery to assume direction of the atelier of his father, Vincente Nicolas Salzillo, who died in 1727. Vincente Nicolas had come from Naples to settle in Murcia at the end of the 17th century. Undoubtedly, the breath of Italianism which he brought with him was instrumental in dispelling some of the gravity that the Spanish sculptors typically imparted to their religious works. The workshop of Francisco Salzillo, who was helped by his brothers, was amazingly productive; L?on Bermudez has counted 1,792 works definitely by the master's hand. Artist: SALZILLO, Francisco Painting Title: Dolorosa , 1701-1750 Painting Style: Spanish , sculpture Type: religious
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Spanish sculptor (b. 1707, Murcia, d. 1783, Murcia).
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ID de tableau:: 63017
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SALZILLO, Francisco
Spanish sculptor (b. 1707, Murcia, d. 1783, Murcia).
Dolorosa 1755 Painted wood Iglesia de Jesus, Murcia The mundane rhetoric in the works of Francisco Salzillo (also spelled Zarcillo) might be interpreted as the expression of a decadence of religious feeling; but in fact it springs from a deep-rooted faith. While yet a child, Francisco Salzillo entered a Dominican monastery as a novice. When he was twenty, he left the monastery to assume direction of the atelier of his father, Vincente Nicolas Salzillo, who died in 1727. Vincente Nicolas had come from Naples to settle in Murcia at the end of the 17th century. Undoubtedly, the breath of Italianism which he brought with him was instrumental in dispelling some of the gravity that the Spanish sculptors typically imparted to their religious works. The workshop of Francisco Salzillo, who was helped by his brothers, was amazingly productive; L?on Bermudez has counted 1,792 works definitely by the master's hand. Artist: SALZILLO, Francisco Painting Title: Dolorosa , 1701-1750 Painting Style: Spanish , sculpture Type: religious 1755 Painted wood Iglesia de Jesus, Murcia The mundane rhetoric in the works of Francisco Salzillo (also spelled Zarcillo) might be interpreted as the expression of a decadence of religious feeling; but in fact it springs from a deep-rooted faith. While yet a child, Francisco Salzillo entered a Dominican monastery as a novice. When he was twenty, he left the monastery to assume direction of the atelier of his father, Vincente Nicolas Salzillo, who died in 1727. Vincente Nicolas had come from Naples to settle in Murcia at the end of the 17th century. Undoubtedly, the breath of Italianism which he brought with him was instrumental in dispelling some of the gravity that the Spanish sculptors typically imparted to their religious works. The workshop of Francisco Salzillo, who was helped by his brothers, was amazingly productive; L?on Bermudez has counted 1,792 works definitely by the master's hand. Artist: SALZILLO, Francisco Painting Title: Dolorosa , 1701-1750 Painting Style: Spanish , sculpture Type: religious
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Related Paintings to SALZILLO, Francisco :. | The Bridle Path | The Marriage Feast at Cana. | Bus | utsikt fran vreta kloster | Promenade | |
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CONTACTER DES Etats-Unis
Xiamen Chine Pétrole en gros Peignant la Barre de Civière Cadre en gros Moulant le Miroir Tableaux Tendus Encadrés |
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